| Object Number |
故畫000752N000000000
|
| Work number |
故畫00075200000 |
| Title |
清王原祁山水 軸
Landscape |
| Category |
繪畫 |
| Author |
王原祁 |
| Dynasty |
清聖祖康熙三十九年（1700） |
| Quantity |
一軸 |
| Location |
Dimension(cm) |
| 本幅 |
95.1x46.2 |
| Materials Location |
Material |
| 本幅 |
紙 |
| 題跋類別 |
作者 |
位置 |
款識 |
書體 |
全文 |
| 作者款識 |
王原祁
印記 expand_more
|
本幅 |
庚辰（西元一七００年）夏五六日。寓中雨窗。匡吉欲余作雲林。而筆勢不能止。遂成是圖。然倣古師其意不泥其迹。先從此鍊筆。純熟之後。不期合而自合矣。麓臺祁。 |
行書 |
|
| 印主 |
印記 |
| 王原祁 |
掃華菴 |
| 王原祁 |
王原祁印 |
| 王原祁 |
別號麓臺 |
| 王原祁 |
興與烟霞會 |
|
| Seal Type |
Author |
Seal |
| 鑑藏寶璽 |
清內府印 |
三希堂精鑑璽 |
| 鑑藏寶璽 |
清內府印 |
石渠寶笈 |
| 鑑藏寶璽 |
清內府印 |
宜子孫 |
| 鑑藏寶璽 |
宣統帝 |
宣統御覽之寶 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶御覽之寶 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶鑑賞 |
| 鑑藏寶璽 |
清仁宗 |
寶笈三編 |
| Subjects Type |
Subject(1st Layer) |
Subject(2nd Layer) |
Description |
| 主要主題 |
山水 |
|
|
| 其他主題 |
山水 |
江河、湖海 |
江河 |
| 其他主題 |
建築 |
房舍 |
|
| 其他主題 |
建築 |
橋 |
|
| 其他主題 |
樹木 |
|
|
| 其他主題 |
樹木 |
楊柳 |
|
| Techniques |
Detail |
| 苔點 |
|
| 皴法 |
|
| 皴法 |
折帶皴 |
| 寫意 |
|
| Type |
Reference |
| 內容簡介 |
王原祁（西元一六四二至一七一五年），字茂京，號麓台，一號石師道人。江蘇太倉人，王時敏之孫。康熙十九年中進士，官至戶部侍郎，人稱王司農。登第後專心學畫，頗能繼承祖法，於黃公望淺絳尤為獨絕，成就了婁東派，與王時敏，王鑑、王翬並稱四王。
這幅山水是王原祈五十九歲的作品，一河兩岸，景物幽淡蕭散，純是摹仿雲林之意，唯其運筆使墨全然自家法門，當是麓台經意之作。
|
| Description |
Wang Yűan-ch’i, style name Mao-ch’ing, sobriquets Lu-t’ai and Shih-shih tao-jen, was a native of T’ai-ts’ang, Kiangsu Province. He was the grandson of the reknowned painter Wang Shih-min. After passing the chin-shih examination during the reign of the K’ang-hsi Emperor, he served as a vice-minister of revenue and became known as Wang Ssu-nung. After reaching a certain level in the bureaucracy, he devoted himself to painting. He closely followed the style of his forebears, and employed the light coloring techniques of the Yűan Dynasty master, Huang Kung-wang. Wang was the originator of the Lou-tung School, and Wang Yűan-ch’i, Wang Shih-min, Wang Chien and Wang Hui are collectively known as the “Four Wangs”
This landscape was painted when Wang Yűan-ch’i was fifty-eight years old. Painted in the “one river, two banks” format, this melancholy and barren scene is reminiscent of the works of Ni Tsan. However, the brushwork is in Wang’s personal style. This is truly a carefully executed painting.
|
| 收藏著錄 |
石渠寶笈三編（御書房），第七冊，頁3158
|
| 收藏著錄 |
故宮書畫錄（卷五），第三冊，頁547
|
| 收藏著錄 |
故宮書畫圖錄，第十冊，頁275-276
|
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