元趙孟頫鮮于樞墨蹟合冊　冊　元鮮于樞論張旭懷素高閑草書

元趙孟頫鮮于樞墨蹟合冊　冊　元鮮于樞論張旭懷素高閑草書 鮮于樞;Xianyu Shu , 26.9 x53.6

草書

基本資料	藏品類型	書法
	文物統一編號	故書000252N000000004 抽盤點紀錄修護紀錄
	作品號	故書00025200004
	品名	元趙孟頫鮮于樞墨蹟合冊　冊　元鮮于樞論張旭懷素高閑草書 Discourse on Cursive Script by Zhang Xu, Huaisu, and Gaoxian
	分類	法書
	作者	鮮于樞;Xianyu Shu
	書體	草書
	數量	一幅
	作品語文	漢文
	釋文	張長史懷素高閑皆名善草書。長史顛逸。時出法度之外。懷素守法。特多古意。高閑用筆粗。十得六七耳。至山谷乃大壞。不可復理。此伯幾真跡。（小行書。註五字）。漁父詞。

典藏尺寸	【位置】	【尺寸】(公分)
	本幅	26.9 x53.6

質地	【質地位置】	【質地】
	本幅	紙

印記資料	【印記類別】	【印記】
	作者印記	水簾洞道士
	收傳印記	游心古道
	收傳印記	詩書世家
	收傳印記	二十四喦人李又玄同叟信（重一。其一半印）
	收傳印記	真佑
	收傳印記	張坤厚印
	鑑藏寶璽	宣統鑑賞
	鑑藏寶璽	無逸齋精鑑璽
	收傳印記	灌湘
	收傳印記	張氏志德（重一。其一半印）
	收傳印記	張氏伯元
	收傳印記	鄭氏居貞
	收傳印記	宋犖審定
	收傳印記	河東司徒世家
	收傳印記	繡山
	收傳印記	薛玄卿印
	收傳印記	林阿士衡
	收傳印記	洪章
	收傳印記	白雪巢圖書印

參考資料	【類別】	【參考資料】
	收藏著錄	石渠寶笈初編（養心殿），上冊，頁471-472
	收藏著錄	故宮書畫錄（卷三），第一冊，頁227-231
	參考書目	1.何傳馨，〈元鮮于樞論張旭懷素高閑草書〉，收入何傳馨編，《書法之美特展圖錄》（臺北：國立故宮博物院，1992年五月初版一刷），頁77。 2.何傳馨，〈大汗的世紀　趙孟頫鮮于樞墨蹟合冊〉，《故宮文物月刊》，第223期（2001年10月），頁18-19。
	內容簡介（中文）	鮮于樞。西元一二四六至一三0二。字伯機。漁陽人。至元間以材選為江浙行省都事。後官太常寺典簿。意氣豪邁。善詞賦。工行書及畫。趙孟頫云。余與伯機同學草書。伯機過余遠甚。極力追之而不能及。伯機已矣。世乃稱僕能書。所謂無佛處稱尊也。可謂推服之甚矣。此帖僅五十三字。而使轉縱橫。遒勁之甚。正不覺其少也。
	內容簡介（英文）	Hsien-yu Shu was a native of Yu-yang, Hopei. His style name was Po-chi. On the basis of his ability he was chosen assistant provincial secretary of Kiangsu and Chekiang, and later served as a high official to the Mongols. His deportment was unrestrained. Excelling in the composition of verse, his semi-cursive script and painting were also excellent. Chao Meng-fu (1254-1322) once said: "Po-chi and I studied cursive script together. He excelled me by far. Exerting my utmost effort, I still could not catch up with him. Alas, he is now no more. And people today say that I have ability in calligraphy. Such is the case when the exalted one has left the scene." This essay contains only 53 characters, but in the compelling turns and the vertical and horizontal movements, there is a most powerful energy, so that one feels the piece to be not at all brief.
	內容簡介（中文）	鮮于樞（西元一二四六至一三0二年），字伯機，漁陽（今今天津薊縣一帶）人。至元間以材選為江浙行省都事，後官太常寺典簿。意氣豪邁，善詞賦。工行書及畫。趙孟頫云：「余與伯機同學草書，伯機過余遠甚，極力追之而不能及，伯機已矣，世乃稱僕能書，所謂無佛處稱尊也。」可謂推服之至。此帖論唐代張旭、懷素、高閑及宋代黃庭堅草書，崇唐抑宋，運筆使轉縱橫，可見到懷素草書影響。 (20121017)
	內容簡介（英文）	Xianyu Shu (style name Boji) was a native of Yuyang (around modern Jixian, Tianjin). Based on ability, he was chosen for the Jiangsu-Zhejiang Branch Secretariat, later rising to Archivist in the Court of Imperial Sacrifices. Bold in manner, he was gifted at poetry, running script, and painting. Zhao Mengfu once said, “Boji and I studied cursive script, but Boji far surpassed me. Exerting utmost effort, I still could not catch up. Alas, he is now gone. People say I am able in calligraphy. Such is when an exalted one has left.” It shows how much Zhao venerated Xianyu. This is a discourse on the cursive of 3 Tang calligraphers and Huang Tingjian of the Song. In praising the Tang over Song, the brushwork is compelling in its turns, showing the influence of Huaisu. (20121017)