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【類別】 |
【參考資料】 |
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收藏著錄 |
石渠寶笈初編（御書房），下冊，頁1127
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收藏著錄 |
故宮書畫錄（卷五），第三冊，頁373
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收藏著錄 |
故宮書畫圖錄，第七冊，頁63-64
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內容簡介（中文） |
文徵明（西元一四七○－一五五九年），江蘇長洲人。書畫俱佳，為明四大畫家之一。商周時農曆三月第一個巳日，人們到河邊沐浴舉行消災求吉儀式稱祓禊，後演成臨水宴客習俗，如東晉永和九年（三五三年）的蘭亭修禊，因王羲之寫了有名的蘭亭序，而使蘭亭佳話流傳千古。畫中有崇山峻嶺，眾人列坐在曲水兩旁，有交談飲酒的，有低頭沈思的，蘭亭裡王羲之大筆揮就而成千古文章，一派歡樂情景。
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內容簡介（英文） |
Spring Ablution at the Orchid Pavilion
Wen Cheng-ming (1470-1559)
Ming Dynasty
Wen Cheng-ming, a native of Soochow, excelled at painting and calligraphy, becoming known as one of the Four Masters of the Ming. In ancient times during the Shang and Chou dynasties, it was customary on the first cyclical ssu 巳 day of the third lunar month to bath in a stream as a form of ritual cleansing (ablution). This evolved into a waterside feast that was immortalized by China’s “Sage Calligrapher” Wang His-chih in 353 with his literary gathering at the Orchid Pavilion. His masterpiece was the preface he wrote for the poems composed then. In this work with lofty mountains, scholars line the curving banks of a stream as they chat, drink, or think. In the Orchid Pavilion is Wang Hsi-chih as he creates his masterpiece of calligraphy.
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內容簡介（中文） |
文徵明（西元一四七○－一五五九年），江蘇長洲人。本名壁，後以字行。書畫俱佳，為明四大畫家之一。四圍崇山峻嶺，置蘭亭於三株松樹後，王羲之據案下筆，眾人列坐曲水旁，各為詩篇，或低頭沈思，或抬頭望遠，畫面一派歡樂狀。本幅筆墨氣息，頗為滯弱，大不如文徵明常時所作。右上角小楷書蘭亭序，端莊中自有一份流利，自是書勝於畫。年款為「嘉靖三年（一五二四）春三月既望」。
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內容簡介（英文） |
Ablutions at the Orchid Pavilion
Wen Cheng-ming (1470-1559)
Ming Dynasty
Surrounded by precipitous, majestic peaks, the Orchid Pavilion is located by three pine trees. Wang Hsi-chih is at a table holding a brush, while the gathered guests appear along the stream either composing poetry, deep in thought, or looking off into the distance, thus making for a joyous occasion. The use of the brush and ink, however, appears slightly slack and not quite up to par for Wen Cheng-ming’s time. In the upper right corner is the Orchid Pavilion Preface transcribed in small standard script. The solemn style still has a sense of fluency and freedom, which indicates the superiority of the calligraphy to the painting. The inscription bears a date for the 3rd day of the 3rd month of 1524.
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參考書目 |
1.江兆申，〈文徵明蘭亭修褉圖 軸〉，收入國立故宮博物院編，《吳派畫九十年展》（臺北：國立故宮博物院，1975年初版，1976年再版，1981年三版），頁308。
2.本社，〈明文徵明蘭亭脩褉圖〉，《故宮文物月刊》，第25期（1985年4月），封底。
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