| 文物統一編號 |
故畫000061N000000000
|
| 作品號 |
故畫00006100000 |
| 品名 |
宋崔白蘆花羲愛 軸
Reeds and Goose |
| 分類 |
繪畫 |
| 作者 |
崔白 |
| 數量 |
一軸 |
| 印記類別 |
印主 |
印記 |
| 鑑藏寶璽 |
宣統帝 |
宣統御覽之寶 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
山水 |
秋景 |
|
| 主要主題 |
翎毛 |
鵝 |
|
| 其他主題 |
花草 |
|
|
| 其他主題 |
花草 |
蘆葦 |
|
| 類別 |
參考資料 |
| 內容簡介 |
崔白(西元十一世紀)，安徽濠梁人，字子西，工畫花竹翎毛，以畫枯荷鳧雁得名，但也精於道釋、人物、鬼神。據說他作畫不起稿，畫長絃挺刃，不用直尺界筆。宋神宗熙寧初(約西元1068年)受命與艾宣、丁貺、葛守昌等人畫垂拱殿屏風，頗受讚賞，補為圖畫院藝學。此圖繪蘆岸間，一鵝昂首獨立。蘆葉經霜，殘綠猶存。鵝身描繪精細，羽毛纖毫畢顯，極為寫實。本幅舊傳為崔白所作。
|
| Description |
Ts’ui Po, whose style name was Tzu-hsi,was a native of Hao-liang, Anhwei. He was a skilled painter of birds and flowers, acquiring fame for his portrayals of withered lotus plants and water fowl in particular. Ts’ui Po is said to have worked without a ruler or compass and to have painted directly, without preliminary drafts--remarkable comments in consideration of the exacting, realistic style associated with his name. Circa 1068, Ts’ui Po was one of a number of painters who received imperial commissions from Emperor Shen-tsung, and, following his successes in this endeavor, he was appointed as a student in the Painting Academy. A lone goose raises its head among water reeds. The leaves have been bitten by frost, though some green remains.The goose is painted with extreme detail, a fine brush delineating his feather. The painting, although a traditional attriution to Ts’ui Po, is an excellent example of realistic depiction.
|
| 收藏著錄 |
故宮書畫錄（卷五），第三冊，頁58-59
|
| 收藏著錄 |
故宮書畫圖錄，第一冊，頁253-254
|
本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
抽盤點紀錄
修護紀錄
