宋崔白蘆花羲愛 軸 崔白 , 141.2x86.3

詳細資料

基本資料 藏品類型 繪畫
文物統一編號 故畫000061N000000000 抽盤點紀錄 修護紀錄
作品號 故畫00006100000
品名 宋崔白蘆花羲愛 軸
Reeds and Goose
分類 繪畫
作者 崔白
數量 一軸

典藏尺寸 【位置】 【尺寸】(公分)
本幅 141.2x86.3

質地 【質地位置】 【質地】
本幅

印記資料 【印記類別】 【印記】
鑑藏寶璽 宣統御覽之寶

主題 【主題類別】 【主題(第一層)】 【主題(第二層)】 【主題說明】
主要主題 山水 秋景
主要主題 翎毛
其他主題 花草 蘆葦
其他主題 花草

技法 【技法】 【技法細目】
工筆
皴法
雙鉤

參考資料 【類別】 【參考資料】
收藏著錄 故宮書畫錄(卷五),第三冊,頁58-59
收藏著錄 故宮書畫圖錄,第一冊,頁253-254
內容簡介(中文) 崔白(西元十一世紀),安徽濠梁人,字子西,工畫花竹翎毛,以畫枯荷鳧雁得名,但也精於道釋、人物、鬼神。據說他作畫不起稿,畫長絃挺刃,不用直尺界筆。宋神宗熙寧初(約西元1068年)受命與艾宣、丁貺、葛守昌等人畫垂拱殿屏風,頗受讚賞,補為圖畫院藝學。此圖繪蘆岸間,一鵝昂首獨立。蘆葉經霜,殘綠猶存。鵝身描繪精細,羽毛纖毫畢顯,極為寫實。本幅舊傳為崔白所作。
內容簡介(英文) Ts’ui Po, whose style name was Tzu-hsi,was a native of Hao-liang, Anhwei. He was a skilled painter of birds and flowers, acquiring fame for his portrayals of withered lotus plants and water fowl in particular. Ts’ui Po is said to have worked without a ruler or compass and to have painted directly, without preliminary drafts--remarkable comments in consideration of the exacting, realistic style associated with his name. Circa 1068, Ts’ui Po was one of a number of painters who received imperial commissions from Emperor Shen-tsung, and, following his successes in this endeavor, he was appointed as a student in the Painting Academy. A lone goose raises its head among water reeds. The leaves have been bitten by frost, though some green remains.The goose is painted with extreme detail, a fine brush delineating his feather. The painting, although a traditional attriution to Ts’ui Po, is an excellent example of realistic depiction.

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