| 文物統一編號 |
故畫001831N000000000
|
| 作品號 |
故畫00183100000 |
| 品名 |
宋蘇焯端陽戲嬰圖 軸
Children at Play |
| 分類 |
繪畫 |
| 作者 |
蘇焯 |
| 數量 |
一軸 |
| 印記類別 |
印主 |
印記 |
| 收傳印記 |
汪由敦 |
由敦 |
| 鑑藏寶璽 |
清內府印 |
三希堂精鑑璽 |
| 鑑藏寶璽 |
清內府印 |
石渠寶笈 |
| 鑑藏寶璽 |
清內府印 |
宜子孫 |
| 鑑藏寶璽 |
宣統帝 |
宣統御覽之寶 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶御覽之寶 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶鑑賞 |
| 鑑藏寶璽 |
清仁宗 |
寶笈三編 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
人物 |
孩童 |
|
| 主要主題 |
水中動植物 |
青蛙．蟾蜍 |
蟾蜍 |
| 主要主題 |
果蔬 |
石榴 |
|
| 次要主題 |
節令與二十四節氣 |
端午 |
|
| 其他主題 |
器用 |
服飾（對人） |
肚兜；香包；手鐲 |
| 類別 |
參考資料 |
| 內容簡介 |
蘇焯，河南開封人，蘇漢臣子，善畫道釋、人物，畫能繼承父風。宋隆興時(西元1163-1164年)任畫院待詔。本幅設色畫三嬰兒，一兒左手執折枝雙榴，右手以繩繫蟾蜍，欲置一兒頭上，一兒兩手捧頭，蹲坐地上，狀甚驚恐，一兒躍前欲奪之。三嬰兒表情姿勢互異，容貌圓渾可愛，筆致工穩，衣衫圖案細膩，褶紋處用筆勁挺，設色淳雅。
|
| 內容簡介 |
蘇焯，蘇漢臣子，善畫道釋、人物，畫能繼父風。畫三孩兒，一兒以繩繫蟾蜍，作弄一兒頭上，一兒躍前欲奪之。三孩兒表情姿勢各異，容貌圓渾，筆致工穩，設色淳雅。
|
| Description |
Su Tso, the son of Su Han-ch'en, followed his father, specializing in painting figures, especially children and religious subjects. He was made Painter-in-Attendance at court during the Lung-hsing era (1163-1164).
This painting depicts three children. One holds a branch with two ripe pomegranates in one hand and, in the other, hangs a toad at the end of a string over another child's head. The little boy squats with hands over his head, his expression full of fear. A third boy jumps to the rescue. The expressions of the children are rendered with vigor, using fine and understated brushwork. The clothing is carefully designed and done with strong brushwork, while the colors are pure and elegant.
|
| Description |
Su Tsuo, a native of K'ai-feng, Honan, was the son of Su Han-ch'en. He followed in the footsteps of his father, specializing in the painting of figures and religious subjects. He was made Painter-in-Attendance during the Lung-hsing reign (1163-1164) This painting depicts three children. One holds a broken branch with two pomegranates in one hand; his other hand controls a toad at the end of a string which he wants to put on his friend's head. The little boy squats with his head in hands, his expression full of fear. A third boy jumps forward to the rescue. The expressions of the three children are all very different, and are all attractively portrayed. The brushwork is fine and understated. The clothing in particular, is carefully designed and is depicted with strong brushwork. The colors are applied with purity and elegance.
|
| 收藏著錄 |
石渠寶笈三編（延春閣），第三冊，頁1484
|
| 收藏著錄 |
故宮書畫錄（卷八），第四冊，頁58
|
| 收藏著錄 |
故宮書畫圖錄，第二冊，頁89-90
|
| 參考書目 |
1.劉芳如，〈宋蘇焯端陽戲嬰圖〉，收入劉芳如、葛婉章編，《嬰戲圖》（臺北：國立故宮博物院，1990年四月初版），頁85。
2.朱惠良，〈宋蘇焯端陽戲嬰圖〉，《故宮文物月刊》，第15期（1984年6月），封底。
|
本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
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