| 文物統一編號 |
故畫003387N000000005
|
| 作品號 |
故畫00338700005 |
| 品名 |
清金廷標白描羅漢 冊 羅漢（五）
|
| 分類 |
繪畫 |
| 作者 |
金廷標 |
| 數量 |
一幅 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
佛道人物 |
羅漢（應真、尊者） |
|
| 次要主題 |
山水 |
江河、湖海 |
湖海（浪濤） |
| 次要主題 |
走獸 |
虎 |
|
| 技法 |
技法細目 |
| 人物衣紋描法(勻稱線條) |
|
| 工筆 |
|
| 白描 |
|
| 類別 |
參考資料 |
| 內容簡介 |
金廷標（活動於西元一七六０–一七六七年），烏程（今浙江湖州）人，字士揆。工人物、花卉。乾隆南巡時，進「白描羅漢冊」，遂得供職內廷，頗得高宗讚賞。廷標喜用挺健之筆，近唐寅畫風，在盛清宮廷畫家中別具一格。 本幅為「白描羅漢」冊之第五開，畫一羅漢，騎馭猛虎，行於波濤之上。羅漢雙目賁張，一手握拳，神情栩栩如生。全作純以白描鉤勒，衣紋轉折頓挫，簡勁有力。
|
| Description |
Chin T’ing-piao (style name Shih-k’uei) was a native of Wu-ch’eng (modern Hu-chou, Chekiang) who was good at painting human figures and flowers. During the Southern Tour of the Ch’ien-lung emperor (r. 1736-1795), he presented “An Album of Lohans in Plain Outlines.” He subsequently received a position at the Inner Court and was praised by the Ch’ien-lung emperor. Chin T’ing-piao was fond of using a stiff brush in a style similar to that of the Ming dynasty painter T’ang Yin (1470-1523). Thus, among the painters at the Ch’ing dynasty court, Chin T’ing-piao possessed a special style. Depicted in this album leaf is a lohan riding on the back of a tiger as it walks across the water waves. The lohan is in a very spirited stance as he stares with his fierce, wide-open eyes and makes a fist with one hand. The album leaf was painted solely using the plain outline (pai-miao) method. The drapery lines twist and turn, stop and pause, thus possessing power in its terseness.
|
| 收藏著錄 |
秘殿珠林續編（乾清宮），頁363
|
| 收藏著錄 |
故宮書畫錄（卷八），第四冊，頁155
|
| 收藏著錄 |
故宮書畫圖錄，第二十七冊，頁188-191
|
本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
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