清弘旿畫山水（二）　冊 - 故宮

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清弘旿畫山水（二）　冊

繪畫

基本資料集叢資料典藏尺寸質地印記資料參考資料保存維護

文物統一編號	故畫003233N000000000
作品號	故畫00323300000
品名	清弘旿畫山水（二）　冊
分類	繪畫
作者	愛新覺羅弘旿
數量	一冊：十二開（本幅十二開十二幅）

類別	集叢名稱	件	開	幅
著錄細目	清弘旿畫山水（二）　冊　溪亭艤艇	01	01	01
著錄細目	清弘旿畫山水（二）　冊　松壑鳴泉	02	02	02
著錄細目	清弘旿畫山水（二）　冊　極浦飛颿	03	03	03
著錄細目	清弘旿畫山水（二）　冊　茆亭觀瀑	04	04	04
著錄細目	清弘旿畫山水（二）　冊　松溪別館	05	05	05
著錄細目	清弘旿畫山水（二）　冊　平湖遠眺	06	06	06
著錄細目	清弘旿畫山水（二）　冊　曲澗平橋	07	07	07
著錄細目	清弘旿畫山水（二）　冊　秋江獨釣	08	08	08
著錄細目	清弘旿畫山水（二）　冊　懸崖飛瀑	09	09	09
著錄細目	清弘旿畫山水（二）　冊　村墅藏雲	10	10	10
著錄細目	清弘旿畫山水（二）　冊　寒林深塢	11	11	11
著錄細目	清弘旿畫山水（二）　冊　絕巘孤亭	12	12	12

位置	尺寸(公分)
本幅	24.6x31.9

質地位置	質地
本幅	紙

印記類別	印主	印記
鑑藏寶璽	清內府印	三希堂精鑑璽
鑑藏寶璽	清高宗	石渠定鑑
鑑藏寶璽	清內府印	石渠寶笈
鑑藏寶璽	清內府印	宜子孫
鑑藏寶璽	宣統帝	宣統御覽之寶
鑑藏寶璽	宣統帝	宣統鑑賞
鑑藏寶璽	清高宗	重華宮鑑藏寶
鑑藏寶璽	清高宗	乾隆御覽之寶
鑑藏寶璽	清高宗	乾隆鑑賞
鑑藏寶璽	宣統帝	無逸齋精鑑璽
鑑藏寶璽	清仁宗	嘉慶御覽之寶
鑑藏寶璽	清高宗	寶笈重編

類別	參考資料
內容簡介	滿清宗室弘旿（卒於西元一八一一），字卓亭，號恕齋，為允秘之子、康熙皇帝之孫。弘旿愛好文學書畫，跟隨宮廷畫家董邦達學畫，畫風受當時仿古潮流影響，不以新奇為能事。弘旿落款用印附加「臣」字，如此敬慎的態度也見於弘旿其他作品，即使並非奉旨之作亦復如此。由於「弘」字與乾隆皇帝「弘曆」第一字相同，為了表示恭敬，弘旿又沿用避諱的慣例，缺寫最後一筆。
Description	Hung-wu, a member of the Manchu imperial clan, was a grandson of the K'ang-hsi Emperor (r. 1662-1722). He enjoyed literature, calligraphy, and painting, studying under the court artist Tung Pang-ta. Hung-wu's style was influenced by the trend then of imitating antiquity rather than that of novelty. His signature here, in addition to a seal, uses the character “ch'en ? ”, meaning a court subject. This reverent attitude is also found in his other works. Even a work not done on imperial command reveals this attitude of his. Since the character for “Hung” is the same as the first one in the Ch'ien-lung Emperor's personal name (Hung-li), out of respect, Hung-wu followed the custom of avoiding such so-called taboo characters by leaving off the last brushstroke of that character.
Description	Hung-wu of the Manchu imperial clan was a grandson of the K'ang-hsi Emperor (r. 1662-1722). Hung-wu enjoyed literature, calligraphy, and painting, studying under the court artist Tung Pang-ta. His style was influenced then by the trend of imitating antiquity rather than that of novelty. His signature here, in addition to a seal, uses the character “ch’en 臣”, meaning a court subject. This reverent attitude is also found in other works. Even a work not done on imperial command reveals this attitude. Since the character for “Hung” is the same as the first one in the Ch'ien-lung Emperor's personal name, Hung-li, Hung-wu expressed respect by following the custom of avoiding such so-called taboo characters by leaving off the last stroke.
收藏著錄	石渠寶笈續編（重華宮），第三冊，頁1714
收藏著錄	故宮書畫錄（卷八），第四冊，頁145
收藏著錄	故宮書畫圖錄，第二十七冊，頁248-251

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