明戴進太平樂事 冊
Auspicious Events in the Era of Peace
繪畫
| 文物統一編號 | 故畫003145N000000000 |
| 作品號 | 故畫00314500000 |
| 品名 |
明戴進太平樂事 冊 Auspicious Events in the Era of Peace |
| 分類 | 繪畫 |
| 作者 | 戴進 |
| 數量 | 一冊：十開（本幅十開十幅） |
| 類別 | 集叢名稱 | 件 | 開 | 幅 |
|---|---|---|---|---|
| 著錄細目 | 明戴進太平樂事 冊 嬰戲 | 01 | 01 | 01 |
| 著錄細目 | 明戴進太平樂事 冊 騎牛 | 02 | 02 | 02 |
| 著錄細目 | 明戴進太平樂事 冊 捕魚 | 03 | 03 | 03 |
| 著錄細目 | 明戴進太平樂事 冊 娛樂 | 04 | 04 | 04 |
| 著錄細目 | 明戴進太平樂事 冊 戲耍 | 05 | 05 | 05 |
| 著錄細目 | 明戴進太平樂事 冊 試射 | 06 | 06 | 06 |
| 著錄細目 | 明戴進太平樂事 冊 耕罷 | 07 | 07 | 07 |
| 著錄細目 | 明戴進太平樂事 冊 觀戲 | 08 | 08 | 08 |
| 著錄細目 | 明戴進太平樂事 冊 木馬 | 09 | 09 | 09 |
| 著錄細目 | 明戴進太平樂事 冊 牧歸 | 10 | 10 | 10 |
| 位置 | 尺寸(公分) |
|---|---|
| 本幅 | 21.8x22 |
| 質地位置 | 質地 |
|---|---|
| 本幅 | 絹 |
| 印記類別 | 印主 | 印記 |
|---|---|---|
| 收傳印記 | 沈氏清玩 | |
| 鑑藏寶璽 | 清內府印 | 石渠寶笈 |
| 鑑藏寶璽 | 宣統帝 | 宣統御覽之寶 |
| 鑑藏寶璽 | 清高宗 | 乾隆御覽之寶 |
| 鑑藏寶璽 | 清仁宗 | 嘉慶御覽之寶 |
| 鑑藏寶璽 | 清高宗 | 養心殿鑑藏寶 |
| 類別 | 參考資料 |
|---|---|
| 內容簡介 | 戴進（西元一三八八－一四六二年），浙江杭州人。字文進，號靜庵，又號玉泉山人。善畫山水，大致宗法南宋馬遠、夏圭之筆趣，亦工人物、花鳥、走獸。 室內置有方桌八張，呈二二四並列。左右各有雙棖，桌上置燭台、香爐、酒肴器皿，旁以彭牙鼓腿馬蹄足圓凳搭配。前方戲台似為一建築物，台前置有小型家具組。所繪題材近似宋人「嬰戲圖」，人物衣紋採釘頭鼠尾描，室內建築陳設描繪詳細，然非採工整界畫。 |
| 內容簡介 | 戴進（西元一三八八－一四六二年），浙江錢塘人，字文靜，號靜庵，又號玉泉山人。曾入宮廷作畫，以不得重用南歸。潛心繪事，師法南宋馬夏派，樹立明朝繪畫風格。 本冊畫鄉村生活情景，雖款名戴進，實屬浙派學戴者之作。 |
| Description | Tai Chin was a native of Ch'ien-t'ang, Chekiang province. He entered the service of the court as a painter, but not finding great favor he returned south. Tai was a committed artist. He patterned his painting after the Ma-Hsia style of the Southern Sung dynasty and helped to establish one of the fundamental styles of the Ming. These album leaves depict scenes from rural life, though they bear the signature of Tai Chin, they were apparently done by one of his followers. |
| Description | Tai Chin (style name Wen-chin, sobriquets Ching-an and Yu-ch'uan shan-jen) was a native of Hangchow, Chekiang. He excelled at landscape painting, following in the brush manner of the Southern Sung (1127-1279) masters Ma Yuan and Hsia Kuei. He also depicted figures, birds-and-flowers, and animals. The eight tables in this painting are arranged in groups of two, two, and four. On the left and right side of each are double stretchers. Placed on the tables are lamps, incense burners, and wine vessels. Next to the table are round stools with drum-shaped legs and horse-hoof feet. The stage in front is constructed like a building and in front of it is a set of miniature furniture. The subject matter is similar to that of “Children Playing” in the National Palace Museum by an anonymous Sung (960-1279) artist. The drapery of the figures is done in so-called “nail-head” and “rat-tail” brushstrokes. The description of the interior decoration and construction is quite detailed, without the aid of ruled-line techniques. |
| 收藏著錄 | 石渠寶笈初編（養心殿），下冊，頁496 |
| 收藏著錄 | 故宮書畫錄（卷八），第四冊，頁139 |
| 收藏著錄 | 故宮書畫圖錄，第二十二冊，頁154-157 |
| 參考書目 | 1.〈傳明戴進太平樂事〉，收入陳階晉、賴毓芝主編，《追索浙派》（臺北：國立故宮博物院，2008年初版一刷），頁170。 |
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