| 文物統一編號 |
故畫003004N000000000
|
| 作品號 |
故畫00300400000 |
| 品名 |
清鄒一桂畫墨梅 軸
|
| 分類 |
繪畫 |
| 作者 |
鄒一桂 |
| 數量 |
一軸 |
| 題跋類別 |
作者 |
位置 |
款識 |
書體 |
全文 |
| 作者款識 |
鄒一桂
印記 expand_more
|
本幅 |
臣鄒一桂恭畫 |
楷書 |
|
|
|
| 題跋 |
清高宗
印記 expand_more
|
本幅 |
甲子(西元一七四四年)御筆 |
行書 |
花中聞有隱君子。性喜清泉白石間。香玉春珠差可比。碧桃紅杏總須刪。一枝借得堪雜俗。半晌看來只合閒。翻笑尋常庾嶺樹。春迴依舊許人攀。咏梅一律。甲子(西元一七四四年)御筆。 |
|
|
| 印記類別 |
印主 |
印記 |
| 鑑藏寶璽 |
清內府印 |
三希堂精鑑璽 |
| 鑑藏寶璽 |
清高宗 |
石渠定鑑 |
| 鑑藏寶璽 |
清內府印 |
石渠寶笈 |
| 鑑藏寶璽 |
清內府印 |
宜子孫 |
| 鑑藏寶璽 |
宣統帝 |
宣統御覽之寶 |
| 鑑藏寶璽 |
清高宗 |
乾清宮鑑藏寶 |
| 鑑藏寶璽 |
清高宗 |
乾隆御覽之寶 |
| 鑑藏寶璽 |
清高宗 |
乾隆鑑賞 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶御覽之寶 |
| 鑑藏寶璽 |
清高宗 |
寶笈重編 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
花草 |
梅(白.紅.蠟梅) |
|
| 次要主題 |
樹木 |
竹 |
|
| 類別 |
參考資料 |
| 內容簡介 |
鄒一桂,字原褒,別號小山,又號讓卿,晚年號二知老人,江蘇無錫人,生在康熙二十五(公元一六八六)年,死在乾隆三十七(公元一七七二)年。中雍正五年進士,官高做到禮部侍郎,加尚書銜。
他的畫以花卉為專長,畫法原出惲壽平,但因都是應皇帝旨意而畫,循規蹈矩不敢肆意放手,所以,作品多是用筆工整,用墨潔淨,著色穠艷,反失去一種平實真率、自然生動的韻致。有時隨興戲筆的,卻有不少佳作。
|
| Description |
Tsou I-kuei (tzu Yuan-pao, hao Hsiao-shan, Jang-ch’ing, and in his later years Erh-chih-lao-jen) was a native of Wu-hsi in Kiangsu. He received the chin-shih degree in 1727 and pursued on official career which culminated in his appointment as Vice-President of the Board of Rites and member of the Imperial Secretariat. He began to paint flowers and plants in the style of Yun Shou-p’ing, but because the ideas for his paintings were dictated by the Ch’ien-lung Emperor and experimentation was discouraged, most of his works are characterized by artisan-like brushwork, unmodulated ink, and thick, sensuous colors which lack natural vitality and rhythm. He occasionally did informal dotted-ink sketches which display much more freedom and spontaneity.
|
| 收藏著錄 |
石渠寶笈續編(乾清宮),第二冊,頁702
|
| 收藏著錄 |
故宮書畫錄(卷八),第四冊,頁103
|
| 收藏著錄 |
故宮書畫圖錄,第十一冊,頁277-278
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本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
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