元人雜書 卷 楊載書水龍吟
Water Dragon Chant
法書
水龍吟楊中弘。鴻溝定約東歸。又誰遣赤龍廻指。青娥舞罷。重瞳飲泣。斷腸聲裡。半壁酸風。（風字旁注）。兩涯寒月。古今興廢。眇烏江滿眼驚濤卷雪。分明總是英雄泪。木末招招舟子。載何人斷烟流水。平沙盡處。青山數點。江東千里。長嘯風前。無人會我登臨此意。但黃蘆古木。夕陽四照。有漁歌起。
| 文物統一編號 | 故書000134N000000000 |
| 作品號 | 故書00013400002 |
| 品名 |
元人雜書 卷 楊載書水龍吟 Water Dragon Chant |
| 分類 | 法書 |
| 作者 | 楊載,Yang Zai |
| 書體 | 行書 |
| 數量 | 一幅 |
| 作品語文 | 漢文 |
| 釋文 | 水龍吟楊中弘。鴻溝定約東歸。又誰遣赤龍廻指。青娥舞罷。重瞳飲泣。斷腸聲裡。半壁酸風。（風字旁注）。兩涯寒月。古今興廢。眇烏江滿眼驚濤卷雪。分明總是英雄泪。木末招招舟子。載何人斷烟流水。平沙盡處。青山數點。江東千里。長嘯風前。無人會我登臨此意。但黃蘆古木。夕陽四照。有漁歌起。 |
| 位置 | 尺寸(公分) |
|---|---|
| 本幅 | 35x50 |
| 質地位置 | 質地 |
|---|---|
| 本幅 | 紙 |
| 題跋類別 | 作者 | 位置 | 款識 | 書體 | 全文 |
|---|---|---|---|---|---|
| 作者款識 | 楊載 | 本幅 | 楊中弘 | 行書 |
| 印記類別 | 印主 | 印記 |
|---|---|---|
| 收傳印記 | 卞永譽 | 卞氏令之 |
| 收傳印記 | 宋犖 | 牧仲 |
| 收傳印記 | 宋犖 | 商邱宋犖鑒藏 |
| 收傳印記 | 宋犖 | 漫堂珍賞 |
| 類別 | 參考資料 |
|---|---|
| 內容簡介 | 楊載（西元一二七一－一三二三年），福建浦城人。後徙杭州。少孤，博涉群書，為文有跌宕氣。年四十，不仕。延祐（一三一四－一三二0年）初，登進士第，授承務郎。時趙孟頫在翰林，得載所為文，極推重之，由是文名動京師。 楊載書學趙孟頫，得其雅健，然姿媚雍容則不及。本幅水龍吟，用筆勁利，偶以側鋒取勢，結體略長，然仍見趙字影響。 |
| 內容簡介 | 楊載（西元一二七一－一三二三年）字仲弘，福建浦城人。後徙杭州。少年時博涉群書，為文有跌宕氣，以布衣召為國史院編修官，延祐二年（一三一五年）得中進士，官至寧國路總管府推官。以詩文著稱，有楊仲弘集。時趙孟頫在翰林，得楊載文，極推重之。楊載書學趙孟頫，得其雅健。本幅自書詞一首，用筆勁利，偶以側鋒取勢，結體略長，勁健中仍見趙字雍容秀雅之貌。 (20121017) |
| Description | Yang Zai (style name Zhonghong), native to Pu-cheng, Fujian, later moved to Hangzhou. Widely learned as a youth, his writing was unrestrained. Called as a commoner to serve as Junior Compiler at the Historiography Academy, he became a Presented Scholar in 1315 and served as a Judge at Ningguo Route Command. He was famed for his writing, which was collected in Anthology of Yang Zhonghong. Zhao Mengfu was in the Hanlin Academy then and read Yang’s prose, highly praising it. Yang likewise studied Zhao’s calligraphy, achieving his elegant vigor. This work is a self-transcription of verse. The brushwork is strong and sharp, sometimes with a forceful slanted tip. Characters are slightly elongated, the vigor still reflecting Zhao’s elegant grace. (20121017) |
| Description | Yang Tsai was a native of P'u-ch'eng, Fukien, but he later moved to Hangchow. He lost his parents in his youth. His scholarship is erudite and his writing is unrestrained. At the age of thirty-nine he had still not entered government service. In the early Yen-yu era (1314-1320) he passed the chin-shih civel service examination and was appointed Gentleman for Rendering Service. At that time, the artist Chao Meng-fu (1254-1322) was at the Hanlin Academy and read Yang's writing. Chao subsequently spoke highly of him, and Yang thus attained literary fame in the capital. Yang studied the calligraphy of Chao Meng-fu and captured Chao's refinement and vigor, but did not attain an equal grace. The brushwork of this work is vigorous and sharp, with evidence of an occasional use of a slanted-tip brush to capture a greater force, and the characters are slightly long, though the influence of Chao's calligraphy is still visible in this work. |
| 收藏著錄 | 石渠寶笈三編（延春閣），第六冊，頁2698 |
| 收藏著錄 | 故宮書畫錄（卷一），第一冊，頁148-152 |
100萬像素圖檔下載
600萬像素圖檔下載
