元人雜書 卷 康里巎致彥中尺牘
Letter to Yanzhong
法書
康里巎頓首再拜彥中管賢友足下。十二月十二日。金子振宣使至。得教字。深荷遠懷之至。中間見誨。實是下心。然亦自有公論也。於此足見足下篤于吾眾弟至深。不肖惟多馳感耳。不知來春可果至都不。付下棋枰帽等皆已領。此時請家兄使想已達。度賢友亦必喜也。此間公私。皆望家兄早來，閑報吾兄知之。文書一節。克明甚是用心。緣不肖小女病四五十日。竟至逝去。不勝悲塞。奈何奈何。（四五下十六字旁注）。及身常有微恙。不曾與克明相見。近月半日來方出。當與彼論之。後便奉報。未由奉見。願盡珍重理。今因人便。草草不宣。康里巎頓首拜。十二月十四日書。諸般雜色素箋及建連。付來些小為禱。銀朱亦望惠數兩。欲為印色。此中者不可故也。（諸般下三十三字。雙行夾注）。彥中賢友足下。康里巎謹封。（十一字原籤。康里巎謹封五字文不全）。
| 文物統一編號 | 故書000134N000000000 |
| 作品號 | 故書00013400001 |
| 品名 |
元人雜書 卷 康里巎致彥中尺牘 Letter to Yanzhong |
| 分類 | 法書 |
| 作者 | 康里巙,Kangli Nao |
| 書體 | 草書 |
| 數量 | 一幅 |
| 作品語文 | 漢文 |
| 釋文 | 康里巎頓首再拜彥中管賢友足下。十二月十二日。金子振宣使至。得教字。深荷遠懷之至。中間見誨。實是下心。然亦自有公論也。於此足見足下篤于吾眾弟至深。不肖惟多馳感耳。不知來春可果至都不。付下棋枰帽等皆已領。此時請家兄使想已達。度賢友亦必喜也。此間公私。皆望家兄早來，閑報吾兄知之。文書一節。克明甚是用心。緣不肖小女病四五十日。竟至逝去。不勝悲塞。奈何奈何。（四五下十六字旁注）。及身常有微恙。不曾與克明相見。近月半日來方出。當與彼論之。後便奉報。未由奉見。願盡珍重理。今因人便。草草不宣。康里巎頓首拜。十二月十四日書。諸般雜色素箋及建連。付來些小為禱。銀朱亦望惠數兩。欲為印色。此中者不可故也。（諸般下三十三字。雙行夾注）。彥中賢友足下。康里巎謹封。（十一字原籤。康里巎謹封五字文不全）。 |
| 位置 | 尺寸(公分) |
|---|---|
| 本幅一 | 30.8x55.6 |
| 質地位置 | 質地 |
|---|---|
| 本幅 | 紙 |
| 印記類別 | 印主 | 印記 |
|---|---|---|
| 收傳印記 | 卞永譽 | 卞令之氏 |
| 收傳印記 | 陳定 | 以御鑒（半印） |
| 收傳印記 | 宋犖 | 牧仲 |
| 收傳印記 | 宋犖 | 商丘宋犖（半印） |
| 收傳印記 | 陳定 | 陳以御 |
| 收傳印記 | 陳定 | 陳定書印 |
| 收傳印記 | 安岐 | 無恙（左作鶴形） |
| 收傳印記 | 宋犖 | 漫堂珍賞 |
| 收傳印記 | 露□（半印） | |
| 作者印記 | 康里巎 | （一半印不可辨） |
| 作者印記 | 康里巎 | 巎印（半印） |
| 鑑藏寶璽 | 清內府印 | 石渠寶笈 |
| 鑑藏寶璽 | 清仁宗 | 嘉慶御覽之寶 |
| 鑑藏寶璽 | 清仁宗 | 寶笈三編 |
| 類別 | 參考資料 |
|---|---|
| 內容簡介 | 康里巙巙（西元一二九五－一三四五年），西域康里氏。字子山，號正齋、恕叟，又號蓬累叟。順帝時為翰林學士承旨，諡文忠。博通群書，善真、行、草書。 書史謂康里巙巙行草師鍾太傅、王右軍，筆劃遒媚，轉折圓勁。又謂其書從大令來，旁及米南宮，神韻可愛。此牘兼用二王及米芾筆法，是早年書風，與其晚年參合章草筆意自成一格之面貌，大異其趣。 |
| 內容簡介 | 康里巙（西元一二九五－一三四五年），西域康里氏，字子山。順帝時為翰林學士承旨，諡文忠。博通群書，善真、行、草書。書史謂其行草師鍾繇、王羲之，筆畫遒媚，轉折圓勁。又謂其書從王獻之來，旁及米芾，神韻可愛。此牘行草書，兼用二王及米芾筆法，運筆流利俊爽，墨色清潤。收信者為其朝中同事，時任江南行台架閣庫管勾葉彥中，書成時間約在一三二九年前不久，是康里氏晚年之作。 (20121017) |
| Description | Kangli Nao (style name Zishan; posthumous title Wenzhong) from the Kazak tribe Kangli served as Hanlin Recipient of Edicts under Emperor Shun. Widely learned, he excelled at standard, running, and cursive scripts. Histories record his running cursive as following Zhong You and Wang Xizhi, his brushwork handsome with round forceful turns. Histories also state his script began with Wang Xianzhi, incorporating Mi Fu’s style for attractiveness. The semi-cursive here combines aspects of the Two Wangs and Mi Fu, the movement fluid and pure with pure full ink tones. The recipient was a fellow official, Ye Yanzhong, serving then as Archivist at the Jiangnan Branch Censorate. From not long before 1329, it is a late example of Kangli’s calligraphy. (20121017) |
| Description | K'ang-li Nao-nao (style name Tzu-shan; sobriquets Cheng-chai, Shu-sou, and P'eng-lei-sou) was Academician and Recipient of Edicts in the Hanlin Academy during the period of Emperor Shun (r. 1333-1368). He was given the posthumous title Wen-chung. His knowledge was extensive and he excelled in standard, semi-cursive, and cursive scripts. Calligraphy histories record that his semi-cursive and cursive scripts follow the styles of Chung Yu (151-230) and Wang Hsi-chih (307-365), and that in addition to his handsome brushwork, the twists and turns of his writing were round and forceful. Histories also record that his graceful calligraphy originated with Wang Hsien-chih (344-388) and Mi Fu (1051-1107). The style seen in this letter which is a representative of k'ang-li's early work combines the brush style of Wang Hsi-chih and Wang Hsien-chin, and Mi Fu. Its appearance differs considerably from the individualistic style of his later years which adopted some elements of the draft cursive script. |
| 參考書目 | 1.陳階晉，〈康里巙巙(原題康里巙)致彥中尺牘〉，收入石守謙、葛婉章主編，《大汗的世紀:蒙元時代的多元文化與藝術》（臺北：國立故宮博物院，2001年初版），頁315-316。 2.陳階晉，〈行走於蒙元的藝廊裡 — 「大汗的世紀」特展 元康里巎巎(原題康里巎)致彥中尺牘〉，《故宮文物月刊》，第225期（2001年12月），頁32-33。 |
| 收藏著錄 | 石渠寶笈三編（延春閣），第六冊，頁2698 |
| 收藏著錄 | 故宮書畫錄（卷一），第一冊，頁148-152 |
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