| 文物統一編號 |
故畫002708N000000000
|
| 作品號 |
故畫00270800000 |
| 品名 |
明錢旭中流砥柱 軸
Pillar Emerging from the Waves |
| 分類 |
繪畫 |
| 作者 |
錢旭,Qian Xu |
| 數量 |
一軸 |
| 印記類別 |
印主 |
印記 |
| 鑑藏寶璽 |
清內府印 |
三希堂精鑑璽 |
| 鑑藏寶璽 |
清內府印 |
石渠寶笈 |
| 鑑藏寶璽 |
清內府印 |
宜子孫 |
| 鑑藏寶璽 |
宣統帝 |
宣統御覽之寶 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶御覽之寶 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶鑑賞 |
| 鑑藏寶璽 |
清仁宗 |
寶笈三編 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
山水 |
奇石 |
石柱 |
| 次要主題 |
山水 |
雲 |
雲海 |
| 類別 |
參考資料 |
| 內容簡介 |
錢旭，生卒不詳，畫史載其生平資料甚簡，字東白，浙江杭州人，工畫山水、人物。
此幅為冷金箋本，水墨畫嶙峋石柱，聳出於洪濤間，雲氣環繞著山腰，與波光相縹緲。皴石用中鋒，起筆成釘頭狀向左右橫趯，並用濃墨點苔，雲及水紋則用淡墨勾勒，構景雖簡，然頗富筆墨趣味。
|
| 內容簡介 |
錢旭，生卒年不詳，畫史載其生平資料甚簡，字東白，浙江杭州人，工畫山水、人物。
此幅為冷金箋本，水墨畫嶙峋石柱，聳出於洪濤間，雲氣環繞著山腰，與波光相縹緲。皴石用中鋒，起筆成釘頭狀向左右橫趯，並用濃墨點苔，雲及水紋則用淡墨勾勒，構景雖簡，然頗富筆墨趣味。
(20121016)
|
| Description |
The birth and death dates of Qian Xu are unknown, and very little is recorded of him in painting histories. Style name Dongbo, he was a native of Hangzhou, Zhejiang, and was good at painting landscapes and figures. This work in ink on gold-flecked paper depicts a rocky pillar rising from the waves. Clouds and mists swirl around its midsection, coalescing and glistening light with the waves. The texture strokes of the rocks are done with a centered brush, the beginnings of the strokes forming “nail heads” skipping laterally left and right. The artist used dark ink for the moss dots, while the design of clouds and water is outlined in light ink. Despite the simple composition, this work displays a keen interest in varying ink shades and brush techniques.
(20121016)
|
| Description |
Ch’ien Hsu’s birth and death dates are unkknown, and very little is known about his life. His style name was Tung-pai, and he was a native of Hangchow, Chekiang. He was good at landscapes and figures.
This painting, in ink on gold-speckled paper, consists in a pillar of stone rising up out of rapids. Mist, swirling around the waist of the pillar, coalesce with the glistening light of the waves. The texture strokes in the rocks are done with a centered tip brush. The beginnings of these strokes form a “nail head”, skipping laterally to the left or right. The artist uses dark ink for the moss dots, whereas the designs in the clouds and water are outlined in light ink. Although the composition is simple, this painting richly displays the charm of varying shades of ink and techniques of brushwork.
|
| 收藏著錄 |
石渠寶笈三編（延春閣），第五冊，頁2396
|
| 收藏著錄 |
故宮書畫錄（卷八），第四冊，頁115
|
| 收藏著錄 |
故宮書畫圖錄，第九冊，頁293-294
|
本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
抽盤點紀錄
修護紀錄
