| 文物統一編號 |
故畫002554N000000000
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| 作品號 |
故畫00255400000 |
| 品名 |
清鄒一桂畫藤花芍藥 軸
Wisteria Blossoms and Herbaceous Peony |
| 分類 |
繪畫 |
| 作者 |
鄒一桂 |
| 數量 |
一軸 |
| 印記類別 |
印主 |
印記 |
| 鑑藏寶璽 |
清內府印 |
三希堂精鑑璽 |
| 鑑藏寶璽 |
清內府印 |
石渠寶笈 |
| 鑑藏寶璽 |
清內府印 |
宜子孫 |
| 鑑藏寶璽 |
宣統帝 |
宣統御覽之寶 |
| 鑑藏寶璽 |
清高宗 |
乾隆御覽之寶 |
| 鑑藏寶璽 |
清高宗 |
乾隆鑑賞 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶御覽之寶 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶鑑賞 |
| 鑑藏寶璽 |
清仁宗 |
寶笈三編 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
花草 |
芍藥 |
|
| 主要主題 |
花草 |
紫藤 |
|
| 類別 |
參考資料 |
| 內容簡介 |
鄒一桂（西元一六八八－一七七二年），江蘇無錫人。字原褒，號小山，又號讓卿，晚號二知老人。雍正五年進士，官至禮部侍郎，加尚書銜。著有《小山畫譜》。
鄒一桂畫，原出惲南田，唯因作品多為應制之作，執規循矩，不敢逾越方圓之外。故用筆工整，著色雅艷。此畫紫藤芍藥，精工妍麗，不失本家面目。
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| 內容簡介 |
鄒一桂（1686-1772），江蘇無錫人。字原褒，號小山，又號讓卿，晚號二知老人。雍正五年（一七二七）進士，官至禮部侍郎，加尚書銜。著有《小山畫譜》。
畫四時春景中之折枝紫藤、紅白芍藥，成串淡紫色蝶形花朵，懸垂枝間，草本芍藥花大色美。此圖雙鉤沒骨兼用，精工妍麗。鄒一桂作品多為應制之作，用筆工整，著色雅艷，執規循矩，不敢逾越方圓之外。(20110102)
|
| Description |
Zou Yigui, a native of Wuxi in Jiangsu, went by the style name Yuanbao and the sobriquets Xiaoshan and Rangqing as well as the late sobriquet Erzhi laoren. Serving up to the post of Vice Minister of Rites, he excelled at painting flowers in fine lines and authored Painting Catalogue of Xiaoshan.
This painting depicts a branch of purple wisteria along with stalks of red and white peonies. The cluster of light purple papilionaceous blossoms droops from the branch accompanied by blossoms of the herbaceous peony large and beautiful. Done in both outline and sketching manners, this painting is refined and beautiful. Many of Zou Yigui’s works were done upon imperial request, and he used fine brushwork and elegant colors in a very deliberate manner that did not exceed the boundaries of convention.(20110102)
|
| Description |
Tsou I-Kuei (style name Yuan-pao and sobriquets Hsiao-shan, Jang-ch’ing, and Erh-chih lao-jen) was a native of Wu-hsi, Kiangsu. He received his chin-shih civil service degree in 1728 and went on to serve as Attendant Gentleman in the Ministry of Rites as well as Minister. He composed Hsiao-shan’s Manual of Painting (Hsiao-shan hua-p’u).
The style of Tsou I-Kuei was originally based on that of Yun Shou-p’ing (1633-1690). Since most Tsou’s works were commissioned, they tend to be formal and rarely manifest a free and spontaneous touch. The resulting brushwork is nonetheless elegant in form and brilliant in color. This painting of wisteria and peonies here expresses the lavishness of his degnified style without completely obscuring the artist’s personal manner.
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| 收藏著錄 |
石渠寶笈續編（御書房），第七冊，頁3179
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| 收藏著錄 |
故宮書畫錄（卷八），第四冊，頁104
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| 收藏著錄 |
故宮書畫圖錄，第十一冊，頁291-292
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| 參考書目 |
1.〈清鄒一桂畫藤花芍藥 軸〉，收入譚怡令、劉芳如、林莉娜主編《滿庭芳-歷代花卉名品特展》（臺北：國立故宮博物院，2010年十二月初版一刷），頁34-35。
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本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
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修護紀錄
