| 文物統一編號 |
故畫002486N000000000
|
| 作品號 |
故畫00248600000 |
| 品名 |
清蔣廷錫畫歲朝圖 軸
New Year Painting |
| 分類 |
繪畫 |
| 作者 |
蔣廷錫 |
| 創作時間 |
清聖祖康熙二十九年（1690） |
| 數量 |
一軸 |
| 題跋類別 |
作者 |
位置 |
款識 |
書體 |
全文 |
| 作者款識 |
蔣廷錫
印記 expand_more
|
本幅 |
庚午（西元一六九０年）嘉平月擬白陽山人筆意。南沙蔣廷錫。 |
行書 |
|
| 印主 |
印記 |
| 蔣廷錫 |
廷錫之印 |
| 蔣廷錫 |
文學侍從之臣 |
|
| 印記類別 |
印主 |
印記 |
| 鑑藏寶璽 |
宣統帝 |
宣統御覽之寶 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶御覽之寶 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
花草 |
水仙 |
|
| 主要主題 |
花草 |
牡丹 |
|
| 主要主題 |
節令與二十四節氣 |
年節 |
歲朝 |
| 次要主題 |
果蔬 |
柿 |
|
| 次要主題 |
花草 |
靈芝 |
|
| 次要主題 |
器用 |
花器 |
花盆 |
| 其他主題 |
山水 |
奇石 |
|
| 類別 |
參考資料 |
| 內容簡介 |
蔣廷錫（西元一六六九－一七三二年），江蘇常熟人。字揚孫，號酉君，又號西谷。官至文華殿大學士，工畫花卉草蟲，以逸筆寫生，沒骨花鳥畫繼承惲壽平風格。
蔣廷錫花卉之作與傳統文人墨卉有深遠關係，明代沈周、陳淳、徐渭對蔣氏有相當的影響。「歲朝圖」為其仿陳淳之作，然風格仍較偏向文雅規矩一路，應與其個性及在朝為官有關係。
|
| 內容簡介 |
蔣廷錫（西元一六六九－一七三二年），江蘇常熟人。字揚孫，一字酉君，號西谷、南沙。歷官文華殿大學士，有政聲，未第時與顧雪坡遊，善寫生。在朝為官後，矜重不苟作，偶為一二，又為宮禁所寶，流傳真跡絕少。
宮廷中所見南沙之作，多穠艷富麗。此幀成於二十二歲，清雅絕俗，勝於晚年。
|
| Description |
Chiang T’ing-hsi (style names Yang-sun and Hsi-chun; sobriquets Hsi-ku and Nan-sha) was a native of Ch’ang-shu, Kiangsu. He went on to serve as Grand Secretary of the Wen-hua Hall. Before taking office, Chiang befriended Ku Hsueh-p’o and enjoyed painting from nature. After Chiang became an official, however, his paintings became more carefully executed and done only occasionally. His works were treasures of the Forbidden City, so few examples were done outside the court.
Of the extant works by Chiang T’ing-hsi, most are heavily colored. This painting was executed at the age of 22, but it still possesses a grace and elegance far surpassing works of his later years.
|
| Description |
Chiang T’ing-hsi (style names Yang-sun and Hsi-chun; sobriquet Hsi-ku) was a native of Ch’ang-shu. As an official, he rose to the rank of Grand Secretary of the Wen-hua Hall. He excelled at depicting insects-and-flowers, and he also painted from nature using a spontaneous manner. In terms of bird-and-flower painting in the “boneless” (wash) style, he followed the style of Yun Shou-p’ing (1633-1690).
Chiang T’ing-hsi’s bird-and-flower paintings are closely related to those of traditional literati painters. The works of such Ming dynasty (1368-1644) artists as Shen Chou (1427-1509), Ch’en Ch’un (1484-1544), and Hsu Wei (1521-1593) had a profound impact on Chiang’s paintings. This painting is a copy after a painting by Ch’en Ch’un, and the style follows closely in the elegant manner of literati painting. The work is probably related to his personality and his career as an artist.
|
| 收藏著錄 |
故宮書畫錄（卷八），第四冊，頁99
|
| 收藏著錄 |
故宮書畫圖錄，第十一冊，頁43-44
|
| 參考書目 |
1.杜書華，〈清蔣廷錫畫歲朝圖〉，《故宮文物月刊》，第9期（1983年12月），封底裡。
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