| 文物統一編號 |
故畫002122N000000000
|
| 作品號 |
故畫00212200000 |
| 品名 |
明戴進牧牛圖 軸
Pasturing Oxen |
| 分類 |
繪畫 |
| 作者 |
戴進 |
| 數量 |
一軸 |
| 印記類別 |
印主 |
印記 |
| 收傳印記 |
張瑞圖 |
二水 |
| 收傳印記 |
|
子子孫孫永保之 |
| 收傳印記 |
|
太官學士 |
| 收傳印記 |
|
姚江管氏珍玩 |
| 收傳印記 |
|
楊一清印 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶御覽之寶 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
人物 |
牧童 |
|
| 主要主題 |
走獸 |
牛 |
|
| 次要主題 |
山水 |
夏景 |
|
| 次要主題 |
樹木 |
楊柳 |
|
| 其他主題 |
花草 |
|
草 |
| 其他主題 |
翎毛 |
|
|
| 類別 |
參考資料 |
| 內容簡介 |
戴進（西元一三八八－一四六二年），浙江錢塘人。字文進，號靜庵，又號玉泉山人。畫山水宗法馬、夏餘意，蔚成明代浙派大家。人物、走獸亦極精妙，人物描法多採蠶頭鼠尾，行筆頓拙有力，惟本幅中之紅衫牧童，筆意簡約，與傳世戴作稍異。水牛殆以乾筆草草刷就，柳樹則墨瀋淋漓，葉點細密，配合著碧草隨風傾偃，益覺沁涼滿紙；牧童手持喜鶴反向而坐，與右行之水牛適成一均衡態勢，凡此俱見畫家營構之巧思。
|
| Description |
Tai Chin developed his landscape painting on the style of Ma-Hsia of the Southern Sung and became the major figure of the Che school in the Ming dynasty. He also excelled in figure painting and the portrayal of animals. In his figure painting he often used the “silkworm head” and “mouse tail” strokes. The brush moves in stutters and stops, full of force.
The figure in red clothing in this painting is depicted rather sketchily, differing somewhat from Tai Chin’s normal style. The water buffalo is painted rapidly with a dry brush. The willows are painted in rich ink tones. Leaves are dotted in a free and dense manner. Together with the grass waving in the breeze, a cool feeling suffuses the painting. A young cowherd, with a magpie in his hand, sits on the opposite side from the water buffalo moving at the right. The balance they form reveals the compositional skill of the artist.
|
| 收藏著錄 |
故宮書畫錄（卷八），第四冊，頁75
|
| 收藏著錄 |
故宮書畫圖錄，第六冊，頁123-124
|
本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
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