| 文物統一編號 |
故畫001369N000000000
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| 作品號 |
故畫00136900000 |
| 品名 |
明劉度山水 軸
Landscape |
| 分類 |
繪畫 |
| 作者 |
劉度,Liu Du |
| 創作時間 |
清世祖順治九年（1652） |
| 數量 |
一軸 |
| 題跋類別 |
作者 |
位置 |
款識 |
書體 |
全文 |
| 作者款識 |
劉度
印記 expand_more
|
本幅 |
壬辰（西元一六五二年）仲冬倣趙承旨畫法。劉度。 |
行書 |
|
|
|
| 印記類別 |
印主 |
印記 |
| 鑑藏寶璽 |
宣統帝 |
宣統御覽之寶 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶御覽之寶 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
山水 |
春景 |
|
| 次要主題 |
山水 |
溪澗、湍泉 |
|
| 次要主題 |
花草 |
桃花 |
|
| 次要主題 |
樹木 |
松 |
|
| 其他主題 |
人物 |
侍從（侍女、童僕） |
|
| 其他主題 |
人物 |
高士（士人、隱士） |
|
| 其他主題 |
山水 |
山徑 |
|
| 其他主題 |
建築 |
臺閣 |
|
| 其他主題 |
樹木 |
|
|
| 技法 |
技法細目 |
| 人物衣紋描法(勻稱線條) |
|
| 苔點 |
|
| 皴法 |
|
| 類別 |
參考資料 |
| 內容簡介 |
劉度（約一六三三－一六七一年）字叔憲，浙江錢塘（今杭州）人。山水師法藍瑛，追摹李思訓、趙伯駒等北宗畫法，而以秀麗見長。設色豔麗、仕女樓閣俱工緻，為明代職業畫家代表人物之一。幅中曲徑通往鐘乳石山洞，道旁有高士對談。作者雖無題款說明所畫主題，就當時習好，所畫當是宜興張公洞。畫法上青綠顏色只施於少數山頭，與同幅中赭色對比，益顯出色。這也是青綠山水以少許來表答的一種方式。
|
| 內容簡介 |
劉度（約一六三三－一六七一年）字叔憲，錢塘（今浙江杭州）人。為晚明職業畫家，山水近師藍瑛，遠承李思訓、趙伯駒等北宗畫法，設色明麗。
本幅畫山中綠樹成蔭，曲徑通幽，延伸向高處的鐘乳石洞，道旁並有高士對坐清談。款題中雖未述明主題，但就地形特徵研判，所繪當是宜興的張公洞。畫法係以青綠重彩施於山巔和樹叢，與坡石的黃赭色對比之下，益顯繽紛醒目。
(20121016)
|
| Description |
Liu Du (style name Shuxian) was a native of Qiantang (modern Hangzhou, Zhejiang). A late Ming professional painter, his landscape style approached that of Lan Ying as he looked back to the Northern School styles of Li Sixun and Zhao Boju to create works with opulent coloring.
This painting depicts shady trees in the mountains, a winding path leading up to a grotto with stalactites. Beside the path are lofty scholars chatting. The artist did not explain the subject matter, but judging from the geologic formation, it probably depicts the Cave of Master Zhang in Yixing. The painting style was done in blue and green colors for the peaks and forests, making them stand out against the ochre used for the earthen forms.
(20121016)
|
| Description |
Liu Tu (style name Shu-hsien) was a native of Hangchou, Chekiang. For landscape painting, he studied the style of Lan Ying and copied paintings by Li Ssu-hsun, Chao Po-chu and other Northern Sung artists. He strove to develop a refined, beautiful style, and he was able to produce exquisite colors. He was also skilled in painting female figures and architecture. Liu Tu is representative of professional painters in the Ming dynasty.
In the center of the composition, a winding path leads to a mountain cave adorned with stalactites. Beside the path scholars chat. Although the artist did not inscribe the painting with an explanation of the subject, in comparison with Jade Cave in the Mountains of the Immortals by Lu Chih, the subject matter must be the Chang-kung Cave in I-hsing. In terms of painting style, Liu Tu added blue and green to only a few of the mountain peaks. However, the colors stand out from the general umber cast of the painting. This is a variation of blue-and-green landscape painting in which colors are used sparingly.
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| 參考書目 |
1.王耀庭，〈明劉度山水〉，收入王耀庭編，《青綠山水畫特展圖錄》（臺北：國立故宮博物院，1995年七月初版一刷），頁94。
|
| 收藏著錄 |
故宮書畫錄（卷五），第三冊，頁484-485
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| 收藏著錄 |
故宮書畫圖錄，第九冊，頁207-208
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