| 文物統一編號 |
故畫001301N000000003
|
| 作品號 |
故畫00130100003 |
| 品名 |
清馬元馭花卉 冊 牡丹
Peony |
| 分類 |
繪畫 |
| 作者 |
馬元馭 |
| 創作時間 |
清聖祖康熙四十二年（1703） |
| 數量 |
一幅 |
| 題跋類別 |
作者 |
位置 |
款識 |
書體 |
全文 |
| 題籤 |
|
|
牡丹。 |
楷書 |
|
| 印記類別 |
印主 |
印記 |
| 作者印記 |
馬元馭 |
元馭 |
| 作者印記 |
馬元馭 |
扶風 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
花草 |
牡丹 |
|
| 類別 |
參考資料 |
| 內容簡介 |
馬元馭（西元一六六九－一七二二年），江蘇常熟人。字伏羲，號棲霞，又號天虞山人。眉子。畫傳家法，而氣韻超逸突過乃父。賦性落拓，縱酒逞筆，乃益豪放。寫生得惲南田親得，又與蔣廷錫討論六法，故沒骨畫益工，神韻飛動，不泥陳跡。書亦雋雅。
此幅繪牡丹一朵，清雅可愛。作者自題仿宋人法所繪，時年三十五歲。
|
| Description |
Flowers
Ma Yuan-yu (1669-1722)
Ch’ing Dynasty
Ma Yuan-yu (style name Fu-hsi; sobriquets Ch’i-hsia and T’ien-yu shan-jen) was the son of the Ma Mei and a native of Ch’ang-shu, Kiangsu. Ma Yuan-yu inherited the family tradition of painting, but surpassed his father in informing his pictures with resonance. Being naturally unrestrained, Ma Yuan-yu indulged in drinking and painting to give his style a grand manner. In painting from life, he received the personal instruction of Yun Shou-p’ing and discussed the six principles of painting with Chiang T’ing-hsi. He consequently became a master of the “boneless” wash method of painting. He painted with energy and freedom and was not fettered by tradition. Furthermore, his calligraphy was very elegant.
This is a painting of a peony blossom that is both elegant and cute. In Ma Yuan-yu’s inscription, he stated that he was imitating Sung dynasty (960-1279) methods of painting. The painting was done when the artist was 34-years old.
|
| 收藏著錄 |
故宮書畫錄（卷六），第四冊，頁140
|
| 收藏著錄 |
故宮書畫圖錄，第二十四冊，頁272-273
|
本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
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