| 文物統一編號 |
故畫000223N000000000
|
| 作品號 |
故畫00022300000 |
| 品名 |
元趙雍採菱圖 軸
Picking Water Chestnuts |
| 分類 |
繪畫 |
| 作者 |
趙雍,Zhao Yong |
| 創作時間 |
元順帝至正二年（1342） |
| 數量 |
一軸 |
| 印記類別 |
印主 |
印記 |
| 收傳印記 |
吳廷 |
吳廷之印 |
| 收傳印記 |
袁忠徹 |
南昌袁氏家藏珍玩子孫永保 |
| 收傳印記 |
梁清標 |
棠邨審定 |
| 收傳印記 |
梁清標 |
蒼巖子 |
| 收傳印記 |
袁忠徹 |
瞻袞堂 |
| 鑑藏寶璽 |
清內府印 |
三希堂精鑑璽 |
| 鑑藏寶璽 |
清內府印 |
石渠寶笈 |
| 鑑藏寶璽 |
清高宗 |
石渠繼鑑 |
| 鑑藏寶璽 |
清內府印 |
宜子孫 |
| 鑑藏寶璽 |
宣統帝 |
宣統御覽之寶 |
| 鑑藏寶璽 |
清高宗 |
乾隆御覽之寶 |
| 鑑藏寶璽 |
清高宗 |
乾隆鑑賞 |
| 鑑藏寶璽 |
清高宗 |
御書房鑑藏寶 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶御覽之寶 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
山水 |
江河、湖海 |
湖 |
| 主要主題 |
山水 |
夏景 |
|
| 主要主題 |
樹木 |
松 |
|
| 次要主題 |
人物 |
|
|
| 其他主題 |
人物 |
百姓 |
|
| 其他主題 |
建築 |
房舍 |
|
| 其他主題 |
船 |
|
|
| 其他主題 |
樹木 |
|
|
| 類別 |
參考資料 |
| 內容簡介 |
趙雍（西元1290年生，卒年不詳），浙江吳興人。字仲穆，畫法出自家傳，而此幀尤為雅秀。樹木筆意，脫胎於李成郭熙一路。溪上菱舟，往來飄攸火，菱葉滿溪，密不容隙。而上幅留天幾及全圖之半，特有江天空曠之感。成於至正二年（西元1342年）十月，時年五十四歲。
|
| 內容簡介 |
趙雍（約1290－？），字仲穆，吳興（今浙江湖州）人。元代書畫名家趙孟頫次子。畫法出自家傳，善畫山水，尤以人物、鞍馬見長。
此幀畫溪上菱舟，往來飄倏，菱葉滿溪，密不容隙，而上幅留天幾及全圖之半，特有江天空曠之感。全作設色溫雅，用筆疏秀，樹木筆意，脫胎於李成、郭熙一路。款云：「至正二年（1342）十月望日仲穆畫。」時年約五十三歲。（20110913)
|
| Description |
Zhao Yong (style name Zhongmu) was a native of Wuxing (modern Huzhou, Zhejiang). The second son of the famous Yuan dynasty painter-calligrapher Zhao Mengfu, his style of painting also followed in the family tradition. He excelled at landscapes, specializing particularly at figures and saddled horses.
In this painting, boats to pick water chestnuts gracefully scurry back and forth over the river thick with the leaves of these plants. Almost half of the painting is left blank to represent the sky, lending a feeling of vastness to the scenery. The coloring here is warm and elegant, with brushwork that is light and beautiful. The brushwork of the trees and foliage derives from the Li Cheng and Guo Xi tradition. The signature on this work reads, “Painted by Zhongmu on the fifteenth day of the tenth lunar month in the second year of the Zhizheng reign (1342).” This painting was thus done when the artist was about 53 years old by Chinese reckoning.
(20110913)
|
| Description |
Chao Yung (style name Chung-mu) was a native of Wu-hsing, Chekiang. His style of painting derived from that of Chan Meng-fu (1254-1322). Water chestnut boats gracefully scurry back and forth over the river thick with the leaves of plants. Almost half of the painting consists of sky, lending a feeling of vastness to the scene. This is an especially elegant and beautiful work. The brushwork of the trees and foliage derive from the Li Ch'eng-Kuo Hsi tradition. This piece was painted in 1342, when the artist was 53 years old.
|
| 收藏著錄 |
石渠寶笈初編（御書房），下冊，頁1105
|
| 收藏著錄 |
故宮書畫錄（卷五），第三冊，頁165
|
| 收藏著錄 |
故宮書畫圖錄，第四冊，頁197-198
|
| 參考書目 |
1.何傳馨，〈元趙雍採菱圖〉，收入何傳馨、許郭璜編，《夏景山水畫特展圖錄》（臺北：國立故宮博物院，1991年七月初版），頁96-97。
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本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
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