| 文物統一編號 |
故畫001202N000000000
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| 作品號 |
故畫00120200001 |
| 品名 |
清文點詩意圖 冊 彭澤罷官
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| 分類 |
繪畫 |
| 作者 |
文點 |
| 數量 |
一幅 |
| 題跋類別 |
作者 |
位置 |
款識 |
書體 |
全文 |
| 作者款識 |
文點
印記 expand_more
|
本幅 |
彭澤初罷官。潯陽稱隱逸。偶來撫孤松。翛然忘忻戚。 |
行書 |
|
|
|
| 印記類別 |
印主 |
印記 |
| 鑑藏寶璽 |
清內府印 |
三希堂精鑑璽 |
| 鑑藏寶璽 |
清內府印 |
石渠寶笈 |
| 鑑藏寶璽 |
清內府印 |
宜子孫 |
| 鑑藏寶璽 |
清高宗 |
乾隆御覽之寶 |
| 鑑藏寶璽 |
清高宗 |
養心殿鑑藏寶 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
山水 |
|
|
| 主要主題 |
經史‧故事 |
|
陶淵明 |
| 次要主題 |
人物 |
高士（士人、隱士） |
隱士；陶潛 |
| 次要主題 |
樹木 |
|
|
| 其他主題 |
山水 |
江河、湖海 |
|
| 其他主題 |
花草 |
|
草 |
| 技法 |
技法細目 |
| 人物衣紋描法(勻稱線條) |
|
| 工筆 |
|
| 皴法 |
|
| 寫意 |
|
| 類別 |
參考資料 |
| 內容簡介 |
文點（西元一六三三－一七０四年），長洲（江蘇蘇州）人。文徵明後裔。為人清介，不求聞譽。工詩文，善書畫。山水能傳文氏家法，兼善人物，尤長松竹小品。 本幅選自文點「詩意圖」冊第一幅，取〈歸去來辭〉中「撫孤松而盤桓」之意而成。圖中陶淵明倚松坐石，凝眸駐耳，似與大自然合為一體。世傳，文點畫松極好點苔，此畫雖僅盈尺，而松樹幹枝細點密佈。全作筆細墨秀，為一文雅小品。
|
| 內容簡介 |
文點（西元一六三三－一七０四年），清代長洲人（今江蘇蘇州）。文徵明（一四七０－一五五九）子孫。工詩文，善畫畫。山水能傳文氏家法，用筆細秀，墨韻亦佳。兼善人物，尤長松竹小品，筆墨極其文雅，為人清介，不求聞譽，以書畫自娛給衣食。 此圖取「歸去來辭」中「撫孤松而盤桓」題意作畫。淵明凝眸駐耳，似與大自然結合成一體。世傳文點畫松極好點苔，此畫雖僅盈尺，松幹松枝，猶見細密小點，而畫筆精緻，秀麗是其特色。
|
| Description |
After a Poem Wen Tien (1633-1704) Ch’ing Dynasty (1644-1911) This scene depicts the line from T’ao Yuan-ming’s poem Returning Home that reads “Lingering to caress a solitary pine.” T’ao sits listening and watching as if he were at one with his natural surroundings. Extant paintings by Wen Tien reveal his aptitude for painting pines and demonstrate his fondness for using small ink dotting of “moss,” and here the trunk and branches of the tree are covered with this fine patterning. After a poem, although less than a square foot in size, stands out for its especially beautiful inkwork. Wen Tien, a native of Ch’ang-chou (present-day Soochow, Kiangsu), was a descendant of the famous artist Wen Cheng-ming (1470-1559). An accomplished poet and writer, he also excelled at painting and calligraphy. Wen’s landscapes were executed in the fine brushwork characteristic of his family’s style, and he created figure paintings and small scenes of pines and bamboo rendered in carefully wrought ink. Wen was furthermore known as a man of fine character who did not seek public recognition but merely sought to amuse himself and earn a small living with his skills as a painter and calligrapher.
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| Description |
Wen Tien, a native of Soochow, was a descendant of Wen Cheng-ming. Excelling at calligraphy and painting, his landscapes followed the family style, and he painted figures and especially small scenes of pines and bamboo. This is the 1st leaf of Wen Tien’s album poetic Illustrations and represents a line from T’ao Yuan-ming’s Homecoming; “Lingering to caress a solitary pine.” T’ao appears here listening and viewing as if at one with his natural surroundings. Extant works by Wen Tien reveal his preference for painting pines and using “moss” dots. Despite the size of this work, pine branches are rendered with intricate detail. The delicate brushwork makes this small, elegant work stand out even more.
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| 收藏著錄 |
石渠寶笈初編（養心殿），上冊，頁503
|
| 收藏著錄 |
故宮書畫錄（卷六），第四冊，頁140
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| 收藏著錄 |
故宮書畫圖錄，第二十四冊，頁150-153
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本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
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