元曹善書山海經（三） 冊
Transcription of the Classic of Mountains and Seas (Shanhai Jing): (Three)
法書
（烏絲闌本。楷書山海經。文不錄。）
| 文物統一編號 |
故書000167N000000000
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| 作品號 | 故書00016700000 |
| 品名 |
元曹善書山海經（三） 冊 Transcription of the Classic of Mountains and Seas (Shanhai Jing): (Three) |
| 分類 | 法書 |
| 作者 | 曹善,Cao Shan |
| 書體 | 楷書 |
| 數量 | 一冊：二十一開（本幅二十一開四十二幅） |
| 作品語文 | 漢文 |
| 釋文 | （烏絲闌本。楷書山海經。文不錄。） |
| 位置 | 尺寸(公分) |
|---|---|
| 本幅 | 21.8x16.8 |
| 質地位置 | 質地 |
|---|---|
| 本幅 | 紙 |
| 印記類別 | 印主 | 印記 |
|---|---|---|
| 收傳印記 | 陳繼儒 | 仲醇氏 |
| 收傳印記 | 陳繼儒 | 眉公 |
| 收傳印記 | 陳繼儒 | 陳眉公書畫記（重一） |
| 收傳印記 | 陳繼儒 | 陳繼儒印 |
| 鑑藏寶璽 | 清高宗 | 八徵耄念之寶 |
| 鑑藏寶璽 | 清內府印 | 三希堂精鑑璽 |
| 鑑藏寶璽 | 清高宗 | 五福五代堂古稀天子寶 |
| 鑑藏寶璽 | 清高宗 | 太上皇帝之寶 |
| 鑑藏寶璽 | 清內府印 | 石渠寶笈 |
| 鑑藏寶璽 | 清內府印 | 宜子孫 |
| 鑑藏寶璽 | 清高宗 | 乾隆御覽之寶 |
| 鑑藏寶璽 | 清高宗 | 乾隆鑑賞 |
| 鑑藏寶璽 | 清仁宗 | 嘉慶御覽之寶 |
| 鑑藏寶璽 | 清高宗 | 養心殿鑑藏寶 |
| 類別 | 參考資料 |
|---|---|
| 內容簡介 | 曹善（活動於西元十四世紀後期），江蘇華亭人，字世良，號樗散生，有詩名，處世剛正，不合於時。明太祖時，宋濂薦於朝，累徵不起，苦志臨池，初學鍾繇，行草學二王，與兄世長、兄子恭，具有書名，一時稱為東吳三曹。考曹知白之子名永，字世長，並無兄弟，善當為其族弟。本幅小楷書山海經，書於至正乙巳年（西元一三六五年），書風質樸端嚴，結字參差，用筆古拙之處可見鍾繇遺法。 |
| Description | Ts'ao Shan (style name Shih-liang, sobriquet Shu-san-sheng) was a native of Hua-t'ing, Kiangsu who was famous for his poetry. He was rather inflexible and stubborn in carrying out affairs so he did not fare well in society. During the reign of Ming T'ai-tsu (r. 1368-1398), Sung Lien recommended Ts'ao Shan many times. However, instead of agreeing to serve at court, he remained steadfast and practiced calligraphy. He first studied the calligraphy of Chung Yu. For running and cursive scripts, however, he followed the styles of the two Wangs. His brother, Ts'ao Shih-ch'ang, and brother's son, Ts'ao Kung, are also famous for their calligraaphy, and they were collectively called the "Three Ts'ao's of Wu." According to biographies, however, Ts'ao Chih-po's son Yung (style name Shih-ch'ang) did not have any brothers, so Ts'ao Shan must be one of his cousins. Ts'ao Shan used small standard script to write out this classic in 1365. His calligraphy is pure, simple, and elegant, and the structure of his characters is somewhat disorderly. A slight awkwardness in Ts'ao Shan's brushwork also reveals Chung Yu's influence. |
| 收藏著錄 | 石渠寶笈初編（養心殿），上冊，頁474 |
| 收藏著錄 | 故宮書畫錄（卷三），第一冊，頁52 |
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