| 文物統一編號 |
故畫001125N000000005
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| 作品號 |
故畫00112500005 |
| 品名 |
明孫龍寫生 冊 草石蜻蜓
Plants, a Stone, and a Dragonfly |
| 分類 |
繪畫 |
| 作者 |
孫龍,Sun Long |
| 數量 |
一幅 |
| 位置 |
尺寸(公分) |
| 本幅 |
23.5x22 |
| 對幅 |
23.5x22 |
| 題跋類別 |
作者 |
位置 |
款識 |
書體 |
全文 |
| 題跋 |
姚綬
印記 expand_more
|
對幅 |
逸史 |
草書 |
草色晴迷日。蜻蜓欲醉時。不須誇點水。雙立向花枝。逸史。 |
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|
| 題跋 |
清仁宗 |
裱綾 |
|
楷書 |
未向釣絲立。輕莎含露時。玩芳仍並集，薄翼點柔枝。 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
山水 |
奇石 |
|
| 主要主題 |
草蟲 |
蜻蜓 |
|
| 其他主題 |
花草 |
|
|
| 類別 |
參考資料 |
| 內容簡介 |
本幅為孫龍寫生冊第五開，淺設色畫草石蜻蜓。鈐印：「孫龍圖書」。
左方裱綾清仁宗楷書御題：「未向釣絲立，輕莎含露時；玩芳仍並集，薄翼點柔枝。」對幅姚公綬題跋：「草色晴迷日，蜻蜓欲醉時；不須誇點水，雙立向花枝。逸史。」
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| 內容簡介 |
孫龍（西元十五世紀）是江蘇毗陵人。宣德年間任職於宮廷，擅長畫花鳥草蟲。純以墨彩點染的技法，雖然傳承自北宋的「沒骨」體，其實已經具備個人的特色。 本幅選自「孫龍寫生姚公綬題合璧冊」。畫中的蜻蜓和豆娘，落筆輕鬆，彷彿不經意間揮灑而成，但卻能充分掌握昆蟲的動態及神情。而對頁姚公綬（一四二三－一四九五）的書法，同樣落筆瀟灑，書畫兩相呼應，更是在寫生之外，平添了文人典雅的氣息。
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| 內容簡介 |
孫龍（西元十五世紀）是江蘇毗陵人。宣德年間任職於宮廷，擅長畫花鳥草蟲。純以墨彩點染的技法，雖然傳承自北宋的「沒骨」體，其實已經具備個人的特色。
本幅選自「孫龍寫生冊」。畫中的蜻蜓，落筆輕鬆，彷彿不經意間揮灑而成，但卻能充分掌握昆蟲的動態及神情。而對頁姚公綬的書法，寫來也是筆調瀟灑，書畫兩相呼應，更是在寫生之外，憑添了文人優雅的氣息。
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| 內容簡介 |
孫龍（西元十五世紀），江蘇武進人。字從吉，又字廷振，號都癡，開國忠愍侯（興祖，一三三六－一三七○）之孫。宣德間入值內廷，官至新安府，生而敏穎敏，有仙人風度。擅翎毛花卉山水，畫花鳥草蟲，全以彩色渲染，得徐崇嗣、趙昌沒骨法，而自成一家。
本幅畫景，正如對頁姚公綬題詩：「草色晴迷日，蜻蜓欲醉時，不須誇點水，雙立向花枝。」畫以沒骨法，筆調極為輕鬆，似不經意，但極其傳神而富生趣。
本幅選自「孫龍寫生姚公綬題合璧」冊第五開。
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| Description |
Drawing from Life
Sun Lung (15th century)
Ming dynasty
Sun Lung was a native of Ch’ang-chou in Kiangsu province. His style names were Ts’ung-chi and T’ing-cheng, sobriquet Tu-ch’ih. He was the grandson of Duke K’ai-kuo Chung-min, Sun Hsing-tsu (1336-1370). He entered the court during the Hsuan-te reign (1426-1435) and magistrate later became the Prefect of Hsin-an Prefecture. By nature perceptive and smart, it is said that Sun bore the air of an immortal. He excelled in painting birds, animals, flowers, and landscapes. His bird-and-flower and grass-and-insect paintings are completely shaded with color washes, making use of the boneless method of Hsu Ch’ung-ssu and Chao Ch’ang, but he established a style of his own.
This painting in a boneless style depicts two dragonflies on grass. The relaxed brushwork gives the appearance of carelessness, but conveys the mood of the liveliness of a fine summer day.
This painting is the fifth leaf from the Drawing of life by Sun Lung Accompanied by Yao Kung-shou’s inscriptions.
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| Description |
Sketch from Life
Sun Lung (15th c.)
Ming Dynasty
Sun Lung, a native of Kiangsu province, served at the Hsuan-te (1426-1435) court and excelled at painting birds and flowers as well as plants and insects. Using only ink, he followed in the Northern Sung (960-1279) tradition of “boneless” ink painting, but actually formed a style of his own.
This work comes from “Album of Sketches from Life by Sun Lung”. It shows two dragonflies and a damselfly perched on the tip of a plant. The light touch of the brushwork looks almost carelessly finished. Sun, however, was able to completely grasp the pose and spirit of these insects. The accompanying calligraphy by Yao Kung-shou (1423-1495) is also fluid, adding an elegant scholar’s touch to this sketched scene from nature.
|
| Description |
Sun Lung, a native of Kiangsu province, served at the Hsuan-te (1426-1435) court and excelled at painting birds and flowers as well as plants and insects. Using only ink, he followed in the Northern Sung (960-1126) tradition of “boneless” ink and wash painting, but actually he formed a style of his own. This work comes from “Album of Sketches from Life by Sun Lung with Calligraphy by Yao Kung-shou.” It shows a dragonfly and a damselfly perched on the tip of a plant. The light touch of the brushwork looks almost like it was carelessly finished. Sun, however, was able to fully grasp the pose and spirit of these insects.
The accompanying calligraphy by Yao Kung-shou (1423-1495) is also fluid, adding an elegant scholar's touch to this sketch from nature.
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| 收藏著錄 |
石渠寶笈三編（延春閣），第四冊，頁1761
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| 收藏著錄 |
故宮書畫錄（卷六），第四冊，頁30-32
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| 收藏著錄 |
故宮書畫圖錄，第二十二冊，頁166-171
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| 參考書目 |
1.〈孫龍寫生〉，收入國立故宮博物院編輯委員會編，《草蟲畫特展圖錄》（臺北：國立故宮博物院，1986年初版），頁31、72。
2.劉芳如，〈中國古畫裡的草蟲世界 — 「草蟲天地」特展介紹（上）〉，《故宮文物月刊》，第220期（2001年7月），頁21。
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本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
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