| 文物統一編號 |
故畫000811N000000000
|
| 作品號 |
故畫00081100000 |
| 品名 |
清元濟王原祁合作蘭竹 軸
Orchid and Bamboo |
| 分類 |
繪畫 |
| 作者 |
元濟,王原祁 |
| 創作時間 |
清聖祖康熙三十年（1691） |
| 數量 |
一軸 |
| 題跋類別 |
作者 |
位置 |
款識 |
書體 |
全文 |
| 作者款識 |
石濤
印記 expand_more
|
本幅 |
風姿雪艷之中。隨意點綴。何物不成清賞所。既有寒木。又發春花。新尚書亦應笑而首可。時辛未（西元一六九一年）二月寄上問翁老維摩。清湘石濤濟道人。 |
行書 |
|
| 印主 |
印記 |
| 石濤 |
苦瓜和尚 |
| 石濤 |
臣僧元濟 |
| 石濤 |
石濤 |
| 石濤 |
何可一日無此君 |
|
| 作者款識 |
王原祁
印記 expand_more
|
本幅 |
麓臺補坡石 |
行楷書 |
|
|
|
| 印記類別 |
印主 |
印記 |
| 收傳印記 |
愛新覺羅博爾都 |
輔國將軍博爾都號問亭之章 |
| 作者印記 |
愛新覺羅博爾都 |
問亭鑑賞圖書 |
| 鑑藏寶璽 |
清內府印 |
三希堂精鑑璽 |
| 鑑藏寶璽 |
清內府印 |
石渠寶笈 |
| 鑑藏寶璽 |
清內府印 |
宜子孫 |
| 鑑藏寶璽 |
宣統帝 |
宣統御覽之寶 |
| 鑑藏寶璽 |
清高宗 |
乾隆御覽之寶 |
| 鑑藏寶璽 |
清高宗 |
乾隆鑑賞 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶御覽之寶 |
| 鑑藏寶璽 |
清高宗 |
養心殿鑑藏寶 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
花草 |
蘭．蕙 |
|
| 主要主題 |
樹木 |
竹 |
|
| 次要主題 |
山水 |
奇石 |
|
| 其他主題 |
山水 |
溪澗、湍泉 |
溪澗 |
| 類別 |
參考資料 |
| 內容簡介 |
元濟即道濟（西元一六四二－一七０七年），廣西桂林人。為明代楚藩後裔，俗名朱若極，字石濤，號大滌子等。王原祁（西元一六四二－一七一五年），江蘇太倉人，字茂京，號麓臺，為清初四王之一。 本幅中，元濟畫蘭竹，行筆灑脫，用墨飽含水份，濃淡相暈，頗有淋漓痛快的感覺，也呈現出了在風中的動態；王原祁亦以寫意筆法補坡石，但相對之下，則顯得較為收斂。
|
| 內容簡介 |
元濟即釋道濟（1642-1707），廣西桂林人，為明代楚藩後裔。俗名朱若極，字石濤，號大滌子。王原祁（1642-1715），字茂京，號麓臺，江蘇太倉人。善畫山水，為清初四王之一。
合作畫向為藝術家相互間藉以敦睦友誼，與切磋技藝的重要手段。本幅中，先由元濟畫蘭竹，運筆灑脫，用墨飽含水份，濃淡相暈，極其淋漓痛快，也呈顯了蘭竹搖曳的風姿。隨後，王原祁再補綴坡石，相形之下，筆致顯得稍許內斂。但收與放之際，益增畫面豐富的興味。(20110102)
|
| Description |
Yuanji refers to the Buddhist monk Daoji, a native of Guilin in Guangxi who was a descendant of the Chu rulers from the Ming imperial clan. His personal name was Zhu Ruoji, and he had the style name Shitao and the sobriquet Dadizi. Wang Yuanqi (style name Maojing, sobriquet Lutai) was a native of Taicang in Jiangsu who excelled at painting landscapes and was one of the Four Wangs of the Early Qing.
Cooperative painting is a way for artists to foster friendly relations while not only working with but also learning from each other. In this hanging scroll, Yuanji first painted the bamboo with brushwork that is comparatively free and easy. His ink was saturated with water, the light and dark haloes complementing each other for an effect free of inhibition and without restraint, also expressing the graceful bearing of orchids and bamboo swaying in the breeze. Afterwards, Wang Yuanqi added the slope and rocks. In contrast, he brushwork is slightly more restrained. Nonetheless, the difference between this introspection and outward feeling considerably enriches the character of the work.(20110102)
|
| Description |
Yuan-chi, also known as Tao-chi, was a native of Kweilin, Kwangsi. A descendant of the Ming imperial family, he also went by his common name Chu Juo-chi (but is perhaps better known by his style name Shih-t'ao). Wang Yuan-ch'i, a native of T'ai-ch'ang in Kiangsu Province, was one of the Four Wangs of the Early Ch'ing. In this work, Yuan-chi painted the orchids and bamboo. His brushwork was fluid and moist with his ink quite watery. The blurring effect of light and dark gives the work a moist and expressive quality that also echoes the fluidity of these motifs in the wind. Wang added the slope and rocks using the "sketching-ideas" manner. In comparison, though, his style appears more reserved.
|
| 收藏著錄 |
石渠寶笈初編（養心殿），上冊，頁672
|
| 收藏著錄 |
故宮書畫錄（卷五），第三冊，頁585
|
| 收藏著錄 |
故宮書畫圖錄，第十四冊，頁335-336
|
| 參考書目 |
1.本社，〈清元濟王原祁合作蘭竹圖〉，《故宮文物月刊》，第13期（1984年4月），封底裡 。
2.石守謙，〈石濤王原祁合作蘭竹圖的問題〉，《中華民國建國八十年中國藝術文物討論會論文集 書畫(下)》（臺北：國立故宮博物院，1992），頁491-511。
3.〈清元濟王原祁合作蘭竹 軸〉，收入譚怡令、劉芳如、林莉娜主編，《滿庭芳-歷代花卉名品特展》（臺北：國立故宮博物院，2010年十二月初版一刷），頁160-161。
|
本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
抽盤點紀錄
修護紀錄
