| 文物統一編號 |
故畫000778N000000000
|
| 作品號 |
故畫00077800000 |
| 品名 |
清鄒一桂畫藤花 軸
Lilacs |
| 分類 |
繪畫 |
| 作者 |
鄒一桂 |
| 數量 |
一軸 |
| 位置 |
尺寸(公分) |
| 本幅 |
30.1x42.2 |
| 詩塘 |
直徑39.3 |
| 題跋類別 |
作者 |
位置 |
款識 |
書體 |
全文 |
| 作者款識 |
鄒一桂
印記 expand_more
|
本幅 |
臣鄒一桂恭寫 |
楷書 |
|
|
|
| 題跋 |
清高宗
印記 expand_more
|
本幅 |
|
行書 |
風流卉。 |
|
|
| 題跋 |
清高宗 |
詩塘 |
|
行書 |
深含姹紫淺含紅。對處偏宜細雨濛。奚啻帶垂還髪卷。每攜春色見薫風。施松似聽鶴彈舌。壓架還招蝶遶叢。細與評量惟兩字。風流卉裏孰能同。藤蘿七律一首。御筆。 |
| 印記類別 |
印主 |
印記 |
| 鑑藏寶璽 |
清內府印 |
三希堂精鑑璽 |
| 鑑藏寶璽 |
清高宗 |
石渠定鑑 |
| 鑑藏寶璽 |
清內府印 |
石渠寶笈 |
| 鑑藏寶璽 |
清內府印 |
宜子孫 |
| 鑑藏寶璽 |
宣統帝 |
宣統御覽之寶 |
| 鑑藏寶璽 |
清高宗 |
乾隆御覽之寶 |
| 鑑藏寶璽 |
清高宗 |
乾隆鑑賞 |
| 鑑藏寶璽 |
清高宗 |
御書房鑑藏寶 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶御覽之寶 |
| 鑑藏寶璽 |
清高宗 |
寶笈重編 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
花草 |
紫藤 |
|
| 類別 |
參考資料 |
| 內容簡介 |
鄒一桂（1686-1772），江蘇無錫人。字原褒，號小山，又號讓卿，晚號二知老人。雍正五年進士，歷官至禮部侍郎，加尚書銜。擅長花卉畫外，又精通畫理，著有小山畫譜。
他的花卉，原學惲壽平沒骨畫一派，但作品比較惲畫為工整精飾，這是因為多屬宮廷應制而畫，作畫態度，循規蹈矩，不敢稍意逾越，因此，用筆工細，著色穠艷，特別具有一種精美富麗的氣息。
|
| Description |
Tsou I-kuei was style-named Yuan-pao; his sobriquets were Little Mountain, Jang-ch’ing, and in his later years, Old Man Erh-chih. He was a native of Wu-hsi, Kiangsu. In 1727 he received his chin-shih degree; he served as the Vice-President of the Ministry of Rites and was later given the honorary title of president. In addition to excelling at flower painting, he was well versed in the principles of painting and was the author of the Hsiao-shan hua-p’u, a book on painting theory.
In flower painting he began by following the “boneless,” or unoutlined, method of the painter Yun Shou-p’ing, but Tsou’s works were neater and more embellished. This is because most were painted at the request of the emperor, and Tsou therefore had to observe all of the contemporary painting rules and regulations and did not dare overstep his position in even a small way. Thus he used the brush very precisely and applied color sumptuously such that his works have an air of lavish beauty.
|
| 收藏著錄 |
石渠寶笈續編（御書房），第四冊，頁2192
|
| 收藏著錄 |
故宮書畫錄（卷五），第三冊，頁563
|
| 收藏著錄 |
故宮書畫圖錄，第十一冊，頁237-238
|
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