| 文物統一編號 |
故畫000774N000000000
|
| 作品號 |
故畫00077400000 |
| 品名 |
清張庚仿王蒙山水 軸
Landscape after Wang Meng |
| 分類 |
繪畫 |
| 作者 |
張庚 |
| 創作時間 |
清世宗雍正十年（1732） |
| 數量 |
一軸 |
| 題跋類別 |
作者 |
位置 |
款識 |
書體 |
全文 |
| 作者款識 |
張庚
印記 expand_more
|
本幅 |
孟堅兄酷愛余山水。覓佳紙索畫。三閱月矣。而興會不至也（也點去）。今日庭齋闃其無人。心跡雙靜。忽憶黃鶴山人法而有會。遂乘興寫此。庶幾不甚相遠也。即正之孟兄。檇李弟張庚。時雍正壬子（西元一七三二年）閏午。 |
草書 |
|
| 印主 |
印記 |
| 張庚 |
石涇 |
| 張庚 |
張庚印 |
| 張庚 |
江東布衣 |
|
| 印記類別 |
印主 |
印記 |
| 鑑藏寶璽 |
清內府印 |
三希堂精鑑璽 |
| 鑑藏寶璽 |
清內府印 |
石渠寶笈 |
| 鑑藏寶璽 |
清內府印 |
宜子孫 |
| 鑑藏寶璽 |
宣統帝 |
宣統御覽之寶 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶御覽之寶 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶鑑賞 |
| 鑑藏寶璽 |
清仁宗 |
寶笈三編 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
山水 |
|
|
| 次要主題 |
樹木 |
松 |
|
| 其他主題 |
人物 |
高士（士人、隱士） |
一人 |
| 其他主題 |
山水 |
江河、湖海 |
江河 |
| 其他主題 |
山水 |
瀑布 |
|
| 其他主題 |
建築 |
茅草屋 |
|
| 技法 |
技法細目 |
| 人物衣紋描法(減筆) |
|
| 苔點 |
|
| 皴法 |
披麻皴 |
| 寫意 |
|
| 類別 |
參考資料 |
| 內容簡介 |
張庚，原名燾，字溥三，後改今名，再改字浦山。生在聖祖康熙二十四（公元一六八五）年，死在高宗乾隆二十五（西元一七六０）年，浙江秀水人。早年即勤奮於詩和古文，復用功於畫和書法，因此精通畫理，著作有浦山論畫，國朝畫徵錄等書。
他的山水畫是學自同鄉陳書，而且盡得陳畫神貌，陳書學的是元王蒙，所以，他的畫中也是一派天真爛漫的王蒙景致，不過筆墨較為疎朗恣肆，意趣全在有法無法之間。可惜他的作品流傳後世極少。本院收藏謹此一幅。
|
| Description |
Landscape after Wang Meng
Chang Keng
Ch’ing dynasty
Originally his personal name was T’ao and his style name or tzu was P’u-san. Later he changed his name to Keng and his tzu to P’u-shan. He was born in 1685, the twenty-fourth year of the K’ang-hsi period; died in 1760, the twenty-fifth year of the Ch’ien-lung period; and was a native of Hsui-shui, Chekiang. In his youth he diligently studied poetry and classic literature, as well as painting and calligraphy. Thus he was well-versed in the principles of painting and his writings include the P’u-shan lun-hua and the Kuo-ch’ao-hua-cheng lu.
In landscape painting he followed the lady painter Ch’en Shu, who was also a native of Hsui-shui, and was able to attain the spirit and appearance of her works. Ch’en Shu studied the works of the Yuan dynasty master Wang Meng, and among Chang Keng’s works are also to be found landscapes in the style of Wang Meng which are honest and without affectation. His use of the brush was fairly clear and without restraint, being somewhere between method and non-method. It is unfortunate that so few of his works have been preserved. Our collection possesses only this one scroll.
|
| 收藏著錄 |
石渠寶笈三編（延春閣），第五冊，頁2258
|
| 收藏著錄 |
故宮書畫錄（卷五），第三冊，頁560
|
| 收藏著錄 |
故宮書畫圖錄，第十一冊，頁211-212
|
本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
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