| 文物統一編號 |
故畫000704N000000000
|
| 作品號 |
故畫00070400000 |
| 品名 |
清王翬畫奇峰聳秀 軸
The Lofty Elegance of Strange Peaks |
| 分類 |
繪畫 |
| 作者 |
王翬 |
| 創作時間 |
清聖祖康熙十七年(1678) |
| 數量 |
一軸 |
| 題跋類別 |
作者 |
位置 |
款識 |
書體 |
全文 |
| 作者款識 |
王翬
印記 expand_more
|
本幅 |
戊午(西元一六七八年)花朝。寫方壺外史奇峰聳秀。石谷王翬。 |
行書 |
|
|
|
| 印記類別 |
印主 |
印記 |
| 收傳印記 |
安岐 |
翰墨林鑒定章 |
| 鑑藏寶璽 |
清內府印 |
三希堂精鑑璽 |
| 鑑藏寶璽 |
清高宗 |
石渠定鑑 |
| 鑑藏寶璽 |
清內府印 |
石渠寶笈 |
| 鑑藏寶璽 |
清內府印 |
宜子孫 |
| 鑑藏寶璽 |
宣統帝 |
宣統御覽之寶 |
| 鑑藏寶璽 |
清高宗 |
乾隆御覽之寶 |
| 鑑藏寶璽 |
清高宗 |
乾隆鑑賞 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶御覽之寶 |
| 鑑藏寶璽 |
清高宗 |
養心殿鑑藏寶 |
| 鑑藏寶璽 |
清高宗 |
寶笈重編 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
山水 |
|
|
| 其他主題 |
人物 |
漁夫、船夫 |
|
| 其他主題 |
山水 |
江河、湖海 |
江河 |
| 其他主題 |
山水 |
瀑布 |
|
| 其他主題 |
花草 |
蘆葦 |
|
| 其他主題 |
建築 |
房舍 |
|
| 其他主題 |
建築 |
亭 |
|
| 其他主題 |
建築 |
臺閣 |
|
| 其他主題 |
船 |
漁船 |
|
| 其他主題 |
樹木 |
|
|
| 技法 |
技法細目 |
| 人物衣紋描法(減筆) |
|
| 皴法 |
|
| 皴法 |
米點皴 |
| 皴法 |
披麻皴 |
| 寫意 |
|
| 類別 |
參考資料 |
| 內容簡介 |
王翬(西元一六三二-一七一七年),常熟人。字石谷,號耕煙散人、清暉主人、烏目山人、劍門樵客。山水得王時敏指授,為清四大家之一。此畫成於戊午花朝,作者四十七歲。溪塢之間,一峰特起,其下平林古寺,溪藪漁舟。全幅用水甚豐,畫面一片濕潤,筆亦極為生動,是石谷畫中,最饒天趣者。是年二月廿一日,石谷與武進唐于光同在蘇州,去花朝蓋不足十日也。
|
| Description |
Wang Hui was a native of Ch’ang-shu in Kiangsu province. He was already a capable painter in his youth when he met Wang Chien and Wang Shih-min who became his teachers. In addition to providing him with through instruction in painting, they also took him to view and copy the works of the ancient masters of many great collections. In this way, he was able to absorb the brush techniques of both the past and the present masters. Because Wang Hui was able to unite the best qualities of the Northern and Southern Schools of painting and because of his consummate skill, he became the greatest master of brush technique of the Ch’ing dynasty.
This was painted on March 7th, 1678, when Wang Hui was in his 47th year. A single peak points sharply upwards out of a river landscape. Below lie woods and ancient temples, while an angle’s boat drifts on the water. The artist has used a very wet brush, resulting in a rich and moist appearance. The brush strokes are full of life and the work is exceptional in Wang Hui’s oeuvre for its easy and natural quality.
|
| 收藏著錄 |
石渠寶笈續編(養心殿),第二冊,頁1156
|
| 收藏著錄 |
故宮書畫錄(卷五),第三冊,頁517-518
|
| 收藏著錄 |
故宮書畫圖錄,第十冊,頁119-120
|
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