| 文物統一編號 |
故畫000698N000000000
|
| 作品號 |
故畫00069800000 |
| 品名 |
清惲向秋亭嘉樹圖 軸
Fine Trees by an Autumn Pavilion |
| 分類 |
繪畫 |
| 作者 |
惲向 |
| 創作時間 |
清世祖順治十一年（1654） |
| 數量 |
一軸 |
| 題跋類別 |
作者 |
位置 |
款識 |
書體 |
全文 |
| 作者款識 |
惲向
印記 expand_more
|
本幅 |
甲午（西元一六五四年）十二月初九日寫。香山向。 |
行書 |
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|
|
| 作者款識 |
惲向
印記 expand_more
|
本幅 |
吳竹嶼之為雲林也。吾惡其太秀。藍田叔之為雲林也。吾惡其太老。秀而老。乃真老也。老而嫩。乃真秀也。此是倪迂真面目。後五日又題。 |
行書 |
|
|
|
| 印記類別 |
印主 |
印記 |
| 收傳印記 |
朱之赤 |
休寧朱之赤珍藏圖書 |
| 收傳印記 |
宋致 |
宋氏穉佳書畫庫記 |
| 收傳印記 |
朱之赤 |
臥菴所藏 |
| 鑑藏寶璽 |
清內府印 |
三希堂精鑑璽 |
| 鑑藏寶璽 |
清內府印 |
石渠寶笈 |
| 鑑藏寶璽 |
清內府印 |
宜子孫 |
| 鑑藏寶璽 |
宣統帝 |
宣統御覽之寶 |
| 鑑藏寶璽 |
清高宗 |
乾隆御覽之寶 |
| 鑑藏寶璽 |
清高宗 |
乾隆鑑賞 |
| 鑑藏寶璽 |
清高宗 |
御書房鑑藏寶 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶御覽之寶 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
山水 |
|
|
| 次要主題 |
樹木 |
寒林．枯樹 |
枯樹 |
| 其他主題 |
山水 |
江河、湖海 |
江河 |
| 其他主題 |
建築 |
亭 |
|
| 其他主題 |
樹木 |
|
|
| 類別 |
參考資料 |
| 內容簡介 |
惲向，生於明萬曆十四（西元一五八六）年，卒於清順治十二（西元一六五五）年，江蘇武進人。本名道生，字本初，後改名向，又以字行，號香山翁。愛好詩歌古文辭，善畫山水。早歲作品，氣厚力沉，全摹董源巨然畫法。晚年惜墨如今，蕭然自遠，意興則模擬倪瓚，自許頗得老秀二字。
|
| Description |
Fine Trees by an Autumn Pavilion
Yun Hsiang
Ch’ing dynasty
Yun Hsiang (1586-1655) was a native of Wu-chin in Kiangsu. His personal name was originally Tao-sheng and his style name Pen-ch’u. He later changed his personal name to Hsiang, ementually adopting his style name, Pen-ch’u, as his personal name to Hsiang, ementually adopting his style name, Pen-ch’u, as his personal name, His sobriquet was Hsiang-shan weng. He was not only fond of poetry and ancient literature but a fine landscape painter. In his early landscape works there is a dense and ponderous quality modeled after the masters Tung Yuan and Chu-jan. He used ink sparingly in his later works so that they are lighter in feeling, and somewhat similar to those of Ni Tsan and Huang Kung-wang.
This painting was completed when he was sixty-eight years of age. The ink is applied lightly with a dry brush in imitation of Ni Tsan, and well deserves the epithet ‘antique’.
|
| 收藏著錄 |
石渠寶笈初編（御書房），下冊，頁1156
|
| 收藏著錄 |
故宮書畫錄（卷五），第三冊，頁514
|
| 收藏著錄 |
故宮書畫圖錄，第十冊，頁91-92
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