| 文物統一編號 |
故畫000675N000000000
|
| 作品號 |
故畫00067500000 |
| 品名 |
明張元士畫水仙 軸
Narcissus |
| 分類 |
繪畫 |
| 作者 |
張元士 |
| 創作時間 |
明穆宗隆慶六年（1572） |
| 數量 |
一軸 |
| 題跋類別 |
作者 |
位置 |
款識 |
書體 |
全文 |
| 作者款識 |
張元士
印記 expand_more
|
本幅 |
隆慶壬申（西元一五七二年）春正月。琴山齋中水仙數莖。精彩倍常。諸名公日觴詠於其間。余亦叨侍席末。琴山怪余久無作至。閏二月既望。勉圖此紙。自媿拙劣。豈敢與諸大家爭妍耶。支峰張元士識。 |
楷書 |
|
|
|
| 印記類別 |
印主 |
印記 |
| 鑑藏寶璽 |
宣統帝 |
宣統御覽之寶 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶御覽之寶 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
花草 |
水仙 |
|
| 類別 |
參考資料 |
| 內容簡介 |
張元士，年里事蹟待考。
張元士名上署支峰字，幅下又有張氏叔上印，似叔上為元士之字，支峰則或為地名或為別署不可知。其畫筆墨秀挺之甚，水仙有趙子固遺風，而畫傳不載其姓字，可謂野有遺賢矣。此幅作於隆慶壬申，幅上有長跋，書法頗近文休承，支峰或即支硎山，若是則亦當為吳人耶。
|
| Description |
No biographical data are known about this artist.
Above Chang’s signature, there are the two characters “Chih Feng.” At the bottom left hand comer, there is a 5-character seal reading “Chang –shih Shu-shang Yin.” It may be that “Shu-shang” was Chang’s style name, “Chih Feng” either a place name or, perhaps, the painter’s sobriquet.
The brushwork in the painting is most refined and firm. The narcissus remind one of those by Chao Meng-chien (fl. 1226-1290).
It is a pity that no literary record of such a talent as Chang Yuan-shih’s is known. Such is the case of ‘the virtuous who live in the wilderness.’
The long colophon by the artist, which states that this work was finished in 1572, shows the influence of calligraphy by Wen Chia (1500-1582). The ambiguous “Chih Feng” might be the Chih-hsing Mountain in the region of Soochow, in which case the painter shared in common the same native place with Wen Chia.
|
| 收藏著錄 |
故宮書畫錄（卷五），第三冊，頁499-500
|
| 收藏著錄 |
故宮書畫圖錄，第九冊，頁15-16
|
本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
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