| 文物統一編號 |
故畫000642N000000000
|
| 作品號 |
故畫00064200000 |
| 品名 |
明鄭重畫釋迦牟尼佛 軸
Sakyamuni Buddha |
| 分類 |
繪畫 |
| 作者 |
鄭重 |
| 數量 |
一軸 |
| 位置 |
尺寸(公分) |
| 本幅 |
191.9x81.5 |
| 詩塘 |
40.6x81.5 |
| 題跋類別 |
作者 |
位置 |
款識 |
書體 |
全文 |
| 作者款識 |
鄭重
印記 expand_more
|
本幅 |
法王子鄭重敬畫 |
篆書 |
|
|
|
| 題跋 |
清高宗
印記 expand_more
|
詩塘 |
壬午（西元一七六二年）春正月。御贊。 |
行書 |
天上天下。獨立稱尊。水月道場。現此金身。三十二相。八十種好。日是莊嚴。見為顛倒。維摩天花，尚云弗若。何佛光中。曼陀紛落。九華芝蓋。七寶蓮臺。三車法演。五葉宗開。即有即空。非空非有。衆生度盡。宴坐義手。壬午（西元一七六二年）春正月。御贊。 |
|
|
| 印記類別 |
印主 |
印記 |
| 鑑藏寶璽 |
清內府印 |
三希堂精鑑璽 |
| 鑑藏寶璽 |
清內府印 |
宜子孫 |
| 鑑藏寶璽 |
宣統帝 |
宣統御覽之寶 |
| 鑑藏寶璽 |
宣統帝 |
宣統鑑賞 |
| 鑑藏寶璽 |
清仁宗 |
珠林三編 |
| 鑑藏寶璽 |
清內府印 |
秘殿珠林 |
| 鑑藏寶璽 |
清高宗 |
乾隆御覽之寶 |
| 鑑藏寶璽 |
清高宗 |
乾隆鑑賞 |
| 鑑藏寶璽 |
宣統帝 |
無逸齋精鑑璽 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶御覽之寶 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶鑑賞 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
佛道人物 |
佛 |
|
| 主要主題 |
器用 |
宗教器用 |
瓔珞．蓮台．寶蓋．珊瑚．背光 |
| 次要主題 |
山水 |
雲 |
|
| 次要主題 |
花草 |
蓮荷 |
|
| 類別 |
參考資料 |
| 內容簡介 |
鄭重（十七世紀），字千里，號無著，歙（今安徽歙縣）人，流寓金陵（今南京）。好樓居，日事香茗。善寫佛像，必齋沐而後舉筆。丁雲鵬推為趙伯駒後身，亦畫山水小景。摹仿宋、元體均精妍。
本幅畫祥雲擁現，天散寶華，釋迦牟尼佛法相莊嚴，手結定印，於一蓮花座上結跏趺坐，座下尚有一華麗的須彌寶台。人物肌膚以金粉填塗，全幅設色妍麗。袈裟與台座之紋飾繪製精工。畫幅右下角有作者篆書款云：法王子鄭重敬畫。
|
| Description |
Cheng Chung (style name Ch’ien-li, sobriquet Wu-cho) was originally from Hsi County, located in today’s Anhui Province, but later moved to Nanking. He was fond of living in the upper stories of buildings, and it was his habit to drink fragrant tea each day. Cheng Chung was skilled in the renditions of Buddhist images, and always fasted and bathed to purify himself before taking up his brush. Ting Yun-p’eng praised him as being the reincarnation of Chao Po-chu. He also painted small landscape scenes. And his copies of Sung and Yuan works were done in an exquisite manner.
Amidst clouds of blessing and heavenly splendor, Śâkyamuni Buddha, Lord of the Law, appears most dignified. His hands are folded in a gesture of meditation, and he is seated cross-legged on a lotus throne, beneath which is a resplendant representation of Mount Sumeru. The skin and flesh of Śâkyamuni are depicted in gold pigment, and the entire work is colored magnificently. The brushwork describing the cassock and the lotus throne is of refined workmanship. In the lower right corner of the painting, the artist’s inscription reeds: Respectfully painted by Cheng Chung, Disciple of the Lord of the Law.
|
| 收藏著錄 |
秘殿珠林三編（乾清宮），頁74
|
| 收藏著錄 |
故宮書畫錄（卷五），第三冊，頁474
|
| 收藏著錄 |
故宮書畫圖錄，第九冊，頁191-192
|
本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
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