| 文物統一編號 |
故畫000640N000000000
|
| 作品號 |
故畫00064000000 |
| 品名 |
明張宏畫琳宮晴雪 軸
Jade-like Palace in Clearing After Snow |
| 分類 |
繪畫 |
| 作者 |
張宏,Zhang Hong |
| 創作時間 |
明熹宗天啟六年（1626） |
| 數量 |
一軸 |
| 印記類別 |
印主 |
印記 |
| 收傳印記 |
朱之赤 |
子孫保之 |
| 收傳印記 |
朱之赤 |
休寧朱之赤珍藏圖書 |
| 收傳印記 |
朱之赤 |
臥菴所藏 |
| 收傳印記 |
朱之赤 |
寒士精神 |
| 鑑藏寶璽 |
清內府印 |
三希堂精鑑璽 |
| 鑑藏寶璽 |
清內府印 |
石渠寶笈 |
| 鑑藏寶璽 |
清內府印 |
宜子孫 |
| 鑑藏寶璽 |
宣統帝 |
宣統御覽之寶 |
| 鑑藏寶璽 |
宣統帝 |
宣統鑑賞 |
| 鑑藏寶璽 |
清高宗 |
乾隆御覽之寶 |
| 鑑藏寶璽 |
清高宗 |
乾隆鑑賞 |
| 鑑藏寶璽 |
宣統帝 |
無逸齋精鑑璽 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶御覽之寶 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶鑑賞 |
| 鑑藏寶璽 |
清仁宗 |
寶笈三編 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
山水 |
冬景（雪景） |
|
| 主要主題 |
樹木 |
寒林．枯樹 |
|
| 次要主題 |
建築 |
宮殿 |
|
| 次要主題 |
樹木 |
松 |
|
| 其他主題 |
人物 |
侍從（侍女、童僕） |
童僕 |
| 其他主題 |
人物 |
高士（士人、隱士） |
|
| 其他主題 |
山水 |
山徑 |
|
| 其他主題 |
山水 |
石磴、棧道 |
石磴 |
| 其他主題 |
山水 |
江河、湖海 |
|
| 其他主題 |
走獸 |
騾．驢 |
驢 |
| 其他主題 |
建築 |
寺廟 |
|
| 其他主題 |
建築 |
塔 |
|
| 類別 |
參考資料 |
| 內容簡介 |
張宏（西元一五七七－一六六八年後）。吳郡（今江蘇蘇州）人。字君度，號鶴間。工畫山水，吳中學者尊崇之。筆墨古拙，墨法濕潤，人物寫真，亦所擅長。
松林積雪，掩映琳宮。構圖繁複瑣碎，用筆工細。寒林、松樹、點苔之安排，極富律動感。畫法高妙，尤以留白點出積雪，背景更飾以泥金，表現出晴日下冬雪閃耀之感，甚具巧思。
|
| 內容簡介 |
張宏（西元一五七七－一六六八年後）。吳郡（今江蘇蘇州）人。字君度，號鶴間。工畫山水，吳中學者尊崇之。筆墨古拙，墨法濕潤，人物寫真，亦所擅長。
松林積雪，掩映琳宮。構圖繁複瑣碎，用筆工細。寒林、松樹、點苔之安排，極富律動感。畫法高妙，尤以留白點出積雪，背景更飾以泥金，表現晴日冬雪閃耀之感，甚具巧思。
(20120103)
|
| Description |
Zhang Hong (style name Jundu, sobriquet Hejian) was native to Wu Prefecture (modern Suzhou, Jiangsu). A skilled landscape painter highly respected among literati of Wu, his brushwork has an archaic quality with ink appearing moist and lush. He did realistic figures, which he also specialized in. A forest of pines in snow contrasts with a beautiful palace here. The composition is complex and varied, the brushwork finely detailed. The arrangement of wintry trees, pines, and moss dots enlivens the scene with much rhythm. Zhang’s method is marvelous, particularly in his suggesting snow by leaving blank white patches. The background is further embellished with marvelous applications of gold powder for a glittering winter’s snow in the sun.(20120103)
|
| Description |
Chang Hung (style name Chun-tu; sobriquet Ho-chien) was a native of Wu prefecture (modern Soochow), Kiangsu province. He was a skilled landscape painter and was highly respected among the literati of the Wu prefecture. His brushwork possessed an archaic quality, and his ink appeared moist and lush. He was also known for his realistic portrayal of human figures.
A forest of pines covered in snow is set against the contrast of a beautiful palace in this painting. The composition is complex and varied, and the brushwork is finely detailed. The arrangement of wintry trees, pines and dots of moss enlivens the scene with rhythmic feeling. Chang’s painting technique is marvelous, particularly his ability to suggest snow in areas where he has left white patches. Even more unique and skillful is the application of gold powder in the background, which communicates a sense of twinkling winter snow under a clear sun.
|
| 收藏著錄 |
石渠寶笈三編（乾清宮），第二冊，頁581
|
| 收藏著錄 |
故宮書畫錄（卷五），第三冊，頁472
|
| 收藏著錄 |
故宮書畫圖錄，第八冊，頁375-376
|
本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
抽盤點紀錄
修護紀錄
