| 文物統一編號 |
故畫000631N000000000
|
| 作品號 |
故畫00063100000 |
| 品名 |
明項聖謨三祝圖 軸
Three Blessings |
| 分類 |
繪畫 |
| 作者 |
項聖謨,Xiang Shengmo |
| 數量 |
一軸 |
| 印記類別 |
印主 |
印記 |
| 鑑藏寶璽 |
清內府印 |
三希堂精鑒璽 |
| 鑑藏寶璽 |
清內府印 |
石渠寶笈 |
| 鑑藏寶璽 |
清內府印 |
宜子孫 |
| 鑑藏寶璽 |
宣統帝 |
宣統御覽之寶 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶御覽之寶 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶鑑賞 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
樹木 |
竹 |
|
| 次要主題 |
山水 |
奇石 |
|
| 類別 |
參考資料 |
| 內容簡介 |
項聖謨（西元一五九七年至一六五八年），項元汴之孫，字孔彰，號易庵，又號胥山樵，浙江嘉興人。工書畫山水，初學文衡山，擴於宋而取韻於元，花竹木石亦精妙。
本幅水墨畫拳石奇篁，枝幹秀雅。款：「三祝圖。項聖謨倣李息齋筆于朗雲堂。」竹寓平安，「竹」「祝」諧音，即祝賀平安之意。
|
| 內容簡介 |
項聖謨（西元一五九七年─一六五八年）是項元汴之孫，字孔彰，號易庵，又號胥山樵，浙江嘉興人。工書畫山水，初學文徵明，擴於宋而取韻於元，花竹、木石亦精妙。
本幅水墨畫拳石奇篁，枝幹秀雅。款題：「三祝圖。項聖謨倣李息齋筆于朗雲堂。」竹寓平安，而「竹」又與「祝」諧音，故畫竹蘊含有祝願平安之意。
(20121016)
|
| Description |
Xiang Shengmo (style name Kongzhang, sobriquets Yi’an and Xushanqiao) was a native of Jiaxing in Zhejiang and the grandson of Xiang Yuanbian. Good at calligraphy and landscape painting, he first studied the style of Wen Zhengming, expanding his repertoire with Song and Yuan dynasty works, his representations of flowers and bamboo as well as trees and stones especially marvelous.
This ink painting depicts several decorative rocks and sprays of bamboo in beautiful elegance. It is signed, “‘Three Blessings’ by Xiang Shengmo in imitation of Li Xizai’s brush manner at the Langyun Hall.” The word for bamboo in Chinese is a homophone for “blessing,” so the depiction of bamboo also means a blessing for peace.
(20121016)
|
| Description |
Hsiang Sheng-mo, a native of Chia-hsing, Kiangsu province, was the grandson of the famous collector Hsiang Yuan-pien. His tzu (style name) was K’ung-chang, his hao (sobriquets) I-an and Hsu-shan-ch’iao. He excelled at calligraphy and painting landscapes. He began learning painting with Wen Cheng-ming, then he had expanded his repertory by studying Sung and Yuan dynasties works. His representations of flowers, bamboo and rocks were also excellent.
This painting depicts three elegant bamboo poles next to a rock. Bamboo is considered as a symbol of peace in the Chinese tradition. Therefore this painting bears on auspicious meaning.
|
| 收藏著錄 |
故宮書畫錄（卷五），第三冊，頁467
|
| 收藏著錄 |
故宮書畫圖錄，第九冊，頁63-64
|
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