清王鐸草書中堂　軸

Central Panel in Cursive Script

法書

甘泉新獻凱。蜀地見深畊。氣罩峨嵋色。人懷灩澦聲。雲章玉篆重。祕府寶刀盟。頓覺受降築。龍荒多此城。頌張葆一年伯平蜀詩二十首之一。王鐸。

基本資料典藏尺寸質地印記資料參考資料保存維護

文物統一編號	贈書000342N000000000
作品號	贈書00034200000
品名	清王鐸草書中堂　軸 Central Panel in Cursive Script
分類	法書
作者	王鐸,Wang Duo
書體	草書
數量	一軸
作品語文	漢文
釋文	甘泉新獻凱。蜀地見深畊。氣罩峨嵋色。人懷灩澦聲。雲章玉篆重。祕府寶刀盟。頓覺受降築。龍荒多此城。頌張葆一年伯平蜀詩二十首之一。王鐸。

位置	尺寸(公分)
本幅	173.3x49.3
全幅	230x65.4

質地位置	質地
本幅	紙

印記類別	印主	印記
收傳印記	丁念先	念聖廔所藏書畫記
收傳印記		晚晴珍藏
收傳印記	張德粹	敬之齋主
作者印記	王鐸	王鐸之印
作者印記	王鐸	煙潭漁叟

類別	參考資料
內容簡介	王鐸（西元一五九二－一六五二年），字覺斯、覺之，號十樵、嵩樵、痴菴、癡僊道人，河南孟津人。明天啟二年（一六二二）進士，入清官至大學士，諡文安。博學好古，工詩文，長繪畫，善書法。行草宗二王，正書出鍾繇，亦能自出胸臆，名重當代，與董其昌齊名。此作行筆放縱，運轉自如，筆力雄健，點畫錯綜複雜，結體欹正莫測，章法變化豐富，可謂淋漓痛快之作。此軸為張德粹先生捐贈。(20120104)
Description	Wang Duo (style name Juesi; sobriquets Shiqiao, Songqiao, Chixian daoren), a native of Mengjin, Henan, was a Presented Scholar in 1622 under the Ming, and in the Qing became Grand Academician (posthumously entitled Wen’an). Knowledgeable about antiquity, he was good at poetry and excelled at painting and calligraphy. In semi-cursive script, he followed the Two Wangs (Xizhi and Xianzhi), his standard script after Zhong You. He also created his own manner, being as renowned in calligraphy as Dong Qichang. The brushwork here is indulgent, the movement natural. The brush force is robust with intricate strokes. Characters appear both slanted and upright, the order richly varied to make this a free and joyful work (donated by Mr. Chang Te-ts’ui).(20120104)

類別

參考資料

內容簡介

王鐸（西元一五九二－一六五二年），字覺斯、覺之，號十樵、嵩樵、痴菴、癡僊道人，河南孟津人。明天啟二年（一六二二）進士，入清官至大學士，諡文安。博學好古，工詩文，長繪畫，善書法。行草宗二王，正書出鍾繇，亦能自出胸臆，名重當代，與董其昌齊名。此作行筆放縱，運轉自如，筆力雄健，點畫錯綜複雜，結體欹正莫測，章法變化豐富，可謂淋漓痛快之作。此軸為張德粹先生捐贈。(20120104)

Description

Wang Duo (style name Juesi; sobriquets Shiqiao, Songqiao, Chixian daoren), a native of Mengjin, Henan, was a Presented Scholar in 1622 under the Ming, and in the Qing became Grand Academician (posthumously entitled Wen’an). Knowledgeable about antiquity, he was good at poetry and excelled at painting and calligraphy. In semi-cursive script, he followed the Two Wangs (Xizhi and Xianzhi), his standard script after Zhong You. He also created his own manner, being as renowned in calligraphy as Dong Qichang. The brushwork here is indulgent, the movement natural. The brush force is robust with intricate strokes. Characters appear both slanted and upright, the order richly varied to make this a free and joyful work (donated by Mr. Chang Te-ts’ui).(20120104)

本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理

抽盤點紀錄修護紀錄