清居廉花卉草蟲四屏 軸
Four Flower-and-Insect Panels
繪畫
| 文物統一編號 | 購畫000109N000000000 |
| 作品號 | 購畫00010900000 |
| 品名 |
清居廉花卉草蟲四屏 軸 Four Flower-and-Insect Panels |
| 分類 | 繪畫 |
| 作者 | 居廉,Ju Lian |
| 創作時間 | 清德宗光緒十四年（1888） |
| 數量 | 四軸 |
| 類別 | 集叢名稱 | 件 | 開 | 幅 |
|---|---|---|---|---|
| 著錄細目 | 清居廉花卉草蟲四屏 軸 牡丹蜜蜂 | 01 | 01 | |
| 著錄細目 | 清居廉花卉草蟲四屏 軸 凌霄螳螂 | 02 | 02 | |
| 著錄細目 | 清居廉花卉草蟲四屏 軸 繡球蝴蝶 | 03 | 03 | |
| 著錄細目 | 清居廉花卉草蟲四屏 軸 紫薇蟬 | 04 | 04 |
| 位置 | 尺寸(公分) |
|---|---|
| 本幅 | 100.5x34.6 |
| 全幅 | 166.5x41 |
| 質地位置 | 質地 |
|---|---|
| 本幅 | 絹 |
| 類別 | 參考資料 |
|---|---|
| 內容簡介 | 居廉（西元一八二八–一九０四年），廣東番禺人。字士剛，號古泉。從兄居巢授與花卉寫生之法，後又兼取惲壽平、宋光寶、孟覲乙等人的沒骨技法自成一家，時人以「居派」名之，又稱「隔山派」。 四屏分寫牡丹、凌霄、繡球、紫薇等時卉，並配以湖石、蜂、蝶、知了、螳螂。於精密寫實之外，饒富沒骨花卉清新典麗的特質，雖因重裝顏色稍褪，猶可清晰得見居氏慣採的「撞水」與「撞粉」畫技。 |
| Description | Chu Lien was a native of Kwangtung. Learning the techniques of hsieh-sheng (sketching-from-life) for flowers and plants from his cousin Chu Ch’ao, he later studied the “boneless” wash style of Yun Shou-p’ing (1633-1690) and others, creating a new style of hsieh-sheng called the Chu (Ko-shan) School. Depicted in these four scrolls are peonies, Chinese trumpet creepers, hydrangea, and crape-myrtle complemented by decorative stones, bees, butterflies, cicadas, and mantises. In addition to the intricately realistic and detailed images are fresh and clear floral elements done in the boneless manner. Though the colors have faded from remounting, Chu’s technique of “water bumping” and “color bumping” are still clearly visible. |
| 網頁展示說明 | 居廉（1828-1904），字士剛，號古泉，廣東番禺人。從兄居巢授其花卉寫生之法，後又兼取惲壽平、宋光寶、孟覲乙等人的沒骨技法自成一家，時人以「居派」名之，又稱「隔山派」。四屏分寫紫薇、繡球、凌霄和牡丹等花木，並搭配以湖石和蜂、蝶、知了、螳螂。筆法精密寫實，設色雅緻，饒富沒骨花卉清新典麗的特質，雖因重裝顏色稍褪，仍可得見居廉慣用的「撞水」與「撞粉」技法。本作購於民國81年。 (20120106) |
| 網頁展示說明 | Ju Lian (style name Shigang, sobriquet Guquan) was a native of Panyu in Guangdong. Learning the technique of painting flowers from life from his elder brother, Ju Chao, he later also incorporated the "boneless" wash methods of Yun Shouping, Song Guangbao, and Meng Jinyi to form a style of his own. Contemporaries called it the "Ju School" as well as "Geshan School." These four panels depict such flowering vegetation as the crape myrtle, hydrangea, trumpet creeper, and peony. The brushwork is precise and realistic, the coloring elegantly fine. The rich "boneless" wash flowers are pure and fresh in a beautifully classic manner. Although some of the hues faded after a previous remounting, they still reveal the techniques of "adding water" and "adding powder." The National Palace Museum purchased this set of paintings in 1992. (20120106) |
| 網頁展示說明 | 居廉（1828-1904）、字は士剛、號は古泉、広東番禺の人。從兄の居巣から花卉の写生法を教わり、後に惲寿平、宋光寶、孟覲などの沒骨技法も取り入れて一派をなし、「居派」、または「隔山派」と稱された。サルスベリ、アジサイ、ノウゼンカズラ、ボタンなどの花木が四幅それぞれに描かれており、湖石や蜂、蝶、蟬、カマキリなどが配してある。その筆法は精密かつ写実的で著色も雅趣に富み、沒骨花卉ならではの清新かつ典麗な趣がある。表裝のせいで色がやや褪せているが、居廉がよく用いた「撞水」、「撞粉」と言われる技法も見られる。民國81年（1992）購入。 (20120106) |
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