民國傅抱石東坡泛舟　軸

Su Dongpo Boating

繪畫

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基本資料典藏尺寸質地題跋資料印記資料主題技法參考資料保存維護

文物統一編號	購畫000051N000000000
作品號	購畫00005100000
品名	民國傅抱石東坡泛舟　軸 Su Dongpo Boating
分類	繪畫
作者	傅抱石,Fu Baoshi
數量	一軸

位置	尺寸(公分)
全幅	170x53
本幅	60.7x45.4

質地位置	質地
本幅	紙

題跋類別

作者

位置

款識

書體

全文

作者款識

傅抱石印記 expand_more

本幅

萬孚先生雅正。新喻傅抱石重慶寫。

行書

印主	印記
傅抱石	抱石私印
傅抱石	往往醉後

簽

包首

傅抱石東坡泛舟。

印記類別	印主	印記
收傳印記		文基珍藏

主題類別	主題(第一層)	主題(第二層)	主題說明
主要主題	人物	高士（士人、隱士）	蘇軾
次要主題	山水	江河、湖海
其他主題	船
其他主題	器用	飲食器
其他主題	樹木

技法	技法細目
人物衣紋描法(勻稱線條)
寫意

類別	參考資料
內容簡介	傅抱石（西元一九○四年〜一九六五年），江西新喻人。自幼聰穎，矢志向學，自學書畫、篆刻。一九三三年進入日本帝國美術學校，受日本著名畫家橫山大觀及橋本關雪注意。一九三五年歸國，應徐悲鴻邀請，任南京國立中央大學教職。傅氏對畫史研究頗深，畫藝奠基於古代大家，尤受石濤影響，並有新意。畫作雖以山水為主，人物亦精妙，喜以古代文學、歷史、傳說故事入畫。本幅繪東坡泛舟江上，氣韻生動。 (20120106)
Description	Fu Baoshi, a native of Xinyu in Jiangxi, was a precocious child who devoted himself to studies, teaching himself painting, calligraphy, and seal carving. In 1933 he entered the Teikoku Art School in Japan and came to the attention of the then-famous Japanese painters Yokoyama Taikan and Hashimoto Kansetsu. Fu returned to China in 1935 and, at the invitation of Xu Beihong, served as a teacher at National Central University in Nanjing. Fu Baoshi was quite learned in the history of Chinese painting, and his own art was based on the masters of antiquity. He was particularly influenced by the early Qing painter Shitao, but with a new twist. Though his works deal mostly with landscapes, his figures are also marvelous, especially in the adaptation of ancient literature, history, and legends into painting. This work depicts the literary great Su Shi (Dongpo) boating on a river in a harmonious and lively manner. This painting was purchased by the National Palace Museum in 1986. (20120106)

類別

參考資料

內容簡介

傅抱石（西元一九○四年〜一九六五年），江西新喻人。自幼聰穎，矢志向學，自學書畫、篆刻。一九三三年進入日本帝國美術學校，受日本著名畫家橫山大觀及橋本關雪注意。一九三五年歸國，應徐悲鴻邀請，任南京國立中央大學教職。傅氏對畫史研究頗深，畫藝奠基於古代大家，尤受石濤影響，並有新意。畫作雖以山水為主，人物亦精妙，喜以古代文學、歷史、傳說故事入畫。本幅繪東坡泛舟江上，氣韻生動。 (20120106)

Description

Fu Baoshi, a native of Xinyu in Jiangxi, was a precocious child who devoted himself to studies, teaching himself painting, calligraphy, and seal carving. In 1933 he entered the Teikoku Art School in Japan and came to the attention of the then-famous Japanese painters Yokoyama Taikan and Hashimoto Kansetsu. Fu returned to China in 1935 and, at the invitation of Xu Beihong, served as a teacher at National Central University in Nanjing. Fu Baoshi was quite learned in the history of Chinese painting, and his own art was based on the masters of antiquity. He was particularly influenced by the early Qing painter Shitao, but with a new twist. Though his works deal mostly with landscapes, his figures are also marvelous, especially in the adaptation of ancient literature, history, and legends into painting. This work depicts the literary great Su Shi (Dongpo) boating on a river in a harmonious and lively manner. This painting was purchased by the National Palace Museum in 1986. (20120106)

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