民國丁衍庸鬱金香與青蛙　軸

Tulips and Frogs

繪畫

基本資料典藏尺寸質地題跋資料主題技法參考資料保存維護

文物統一編號	購畫000046N000000000
作品號	購畫00004600000
品名	民國丁衍庸鬱金香與青蛙　軸 Tulips and Frogs
分類	繪畫
作者	丁衍庸,Ting Yen-yung
數量	一軸

位置	尺寸(公分)
全幅	167.4x60.2
本幅	69.1x48.8

質地位置	質地
本幅	紙

題跋類別

作者

位置

款識

書體

全文

作者款識

丁衍庸印記 expand_more

本幅

丁衍庸

草書

印主	印記
丁衍庸	（肖形印）

簽

包首

丁衍庸鬱金香青蛙。

主題類別	主題(第一層)	主題(第二層)	主題說明
主要主題	花草		鬱金香
次要主題	水中動植物	青蛙．蟾蜍	青蛙

技法	技法細目
寫意

類別	參考資料
內容簡介	丁衍庸（西元一九○二〜一九七八年），廣東茂名人。早年在日本東京美術學校學習西洋油畫，返國後先後任教於多所藝專及美術學校。一九四九年赴香港，一直擔任教職至逝世為止。丁氏在戰時及戰後嘗試國畫新技法，畫風雖受八大山人影響，卻多以線條及鮮明色彩而具個人獨特作風。本幅繪鬱金香與青蛙，佈局跳脫傳統，花卉莖葉具書法韻律，青蛙以簡筆，帶出蟄伏於花朵上，視點新穎。全幅水墨色彩交融絢麗。本幅購於民國七十五年。 (20120106)
Description	Ting Yen-yung, a native of Maoming in Guangdong, in his early years studied Western oil painting at the Tokyo School of Fine Arts in Japan, and following his return to China taught at several art schools. He went to Hong Kong in 1949 and served as a teacher there until his death. During and after the War, Ting experimented with new Chinese painting techniques. Although his style was influenced by the early Qing painter Bada shanren, he also used many lines and bright colors in a unique style of his own. This work depicts a tulip-and-frog arrangement that departs from tradition. The stem areas have a calligraphic rhythm and the frogs are done in succinct brushwork, standing out on the blossoms for a fresh and novel visual effect. The fusion of ink and colors throughout the work is gorgeous. This work was purchased by the National Palace Museum in 1986. (20120106)

類別

參考資料

內容簡介

丁衍庸（西元一九○二〜一九七八年），廣東茂名人。早年在日本東京美術學校學習西洋油畫，返國後先後任教於多所藝專及美術學校。一九四九年赴香港，一直擔任教職至逝世為止。丁氏在戰時及戰後嘗試國畫新技法，畫風雖受八大山人影響，卻多以線條及鮮明色彩而具個人獨特作風。本幅繪鬱金香與青蛙，佈局跳脫傳統，花卉莖葉具書法韻律，青蛙以簡筆，帶出蟄伏於花朵上，視點新穎。全幅水墨色彩交融絢麗。本幅購於民國七十五年。 (20120106)

Description

Ting Yen-yung, a native of Maoming in Guangdong, in his early years studied Western oil painting at the Tokyo School of Fine Arts in Japan, and following his return to China taught at several art schools. He went to Hong Kong in 1949 and served as a teacher there until his death. During and after the War, Ting experimented with new Chinese painting techniques. Although his style was influenced by the early Qing painter Bada shanren, he also used many lines and bright colors in a unique style of his own. This work depicts a tulip-and-frog arrangement that departs from tradition. The stem areas have a calligraphic rhythm and the frogs are done in succinct brushwork, standing out on the blossoms for a fresh and novel visual effect. The fusion of ink and colors throughout the work is gorgeous. This work was purchased by the National Palace Museum in 1986. (20120106)

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