清龔賢春山如沐圖　軸

Spring Mountains Washed by Rain

繪畫

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基本資料典藏尺寸質地題跋資料主題技法參考資料保存維護

文物統一編號	贈畫000906N000000000
作品號	贈畫00090600000
品名	清龔賢春山如沐圖　軸 Spring Mountains Washed by Rain
分類	繪畫
作者	龔賢
數量	一軸

位置	尺寸(公分)
本幅	153.8x50.6
全幅	218x64.8

質地位置	質地
本幅	絹

題跋類別

作者

位置

款識

書體

全文

作者款識

龔賢印記 expand_more

本幅

春山如沐雨新晴。處處溪流解凍聲。多少樓臺迎曉日。白頭齊照萬花明。半畝居人。龔賢。

行書

印主	印記
龔賢	龔處士
龔賢	半千

主題類別	主題(第一層)	主題(第二層)	主題說明
主要主題	山水		溪澗
其他主題	建築		石牆
其他主題	建築	房舍
其他主題	建築	橋
其他主題	樹木

技法	技法細目
苔點
皴法

類別	參考資料
內容簡介	龔賢（1619－1689），字半千，號半畝，江蘇崑山人。性孤僻，與人落落難合。工詩文、行草。作山水從董源築基，一變古法，用墨濃厚，自開生面，與樊圻、高岑、鄒喆、吳宏、葉欣、胡慥、謝蓀為金陵八家。此幅畫春雨過後，雲影瀰漫山際，前景溪岸水流潺潺，遠方村塢掩映於叢樹之間，整體空間結構平穩，深富靜謐和諧的情韻。畫幅上有作者題詩云：「春山如沐雨新晴。處處溪流解凍聲。多少樓臺迎曉日。白頭齊照萬花明。」傅申先生捐贈於民國98年。(20110204)
Description	Gong Xian (style name Banqian, sobriquet Banmu) was a native of Kunshan, Jiangsu. Of idiosyncratic character, he often shied away from people. Gong excelled at poetry and semi-cursive calligraphy. When doing landscape painting, he worked on the foundation of Dong Yuan’s style, transforming ancient methods with a heavy use of ink to create a style of his own. Along with Fan Qi, Gao Cen, Zou Zhe, Wu Hong, Ye Xin, Hu Zao, and Xie Sun, he was one of the “Eight Masters of Jinling” (Nanjing). This work depicts a landscape after a spring rain. Clouds and shadows pervade the mountains as a stream flows by banks in the foreground with a village cove concealed in the distance among trees. The entire spatial structure of the composition is smooth and steady, with a richly tranquil and harmonious manner. At the top of the painting is the artist’s poem that reads, “Spring mountains as if washed anew and clearing after rain, everywhere comes the sound of river water thawing. So many buildings look up to the sun shining through, white heads shining orderly on myriad flowers bright.” Mr. Fu Shen donated this painting to the National Palace Museum in 2009.(20110204)

類別

參考資料

內容簡介

龔賢（1619－1689），字半千，號半畝，江蘇崑山人。性孤僻，與人落落難合。工詩文、行草。作山水從董源築基，一變古法，用墨濃厚，自開生面，與樊圻、高岑、鄒喆、吳宏、葉欣、胡慥、謝蓀為金陵八家。此幅畫春雨過後，雲影瀰漫山際，前景溪岸水流潺潺，遠方村塢掩映於叢樹之間，整體空間結構平穩，深富靜謐和諧的情韻。畫幅上有作者題詩云：「春山如沐雨新晴。處處溪流解凍聲。多少樓臺迎曉日。白頭齊照萬花明。」傅申先生捐贈於民國98年。(20110204)

Description

Gong Xian (style name Banqian, sobriquet Banmu) was a native of Kunshan, Jiangsu. Of idiosyncratic character, he often shied away from people. Gong excelled at poetry and semi-cursive calligraphy. When doing landscape painting, he worked on the foundation of Dong Yuan’s style, transforming ancient methods with a heavy use of ink to create a style of his own. Along with Fan Qi, Gao Cen, Zou Zhe, Wu Hong, Ye Xin, Hu Zao, and Xie Sun, he was one of the “Eight Masters of Jinling” (Nanjing). This work depicts a landscape after a spring rain. Clouds and shadows pervade the mountains as a stream flows by banks in the foreground with a village cove concealed in the distance among trees. The entire spatial structure of the composition is smooth and steady, with a richly tranquil and harmonious manner. At the top of the painting is the artist’s poem that reads, “Spring mountains as if washed anew and clearing after rain, everywhere comes the sound of river water thawing. So many buildings look up to the sun shining through, white heads shining orderly on myriad flowers bright.” Mr. Fu Shen donated this painting to the National Palace Museum in 2009.(20110204)

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