清張照書御製插秧吟 軸
Transcription of the Imperial Chant of Rice Transplanting
法書
池田漠漠薰風起。插秧時節江村美。茅屋家家晝揜門。一畦新穎浮清水。兒騎秧馬學插秧。壯者手疾力獨強。老翁背直難傴僂。杖藜督課溝塍旁。晚來共浴前溪曲。幾堆雲腳出山谷。但願知時甘雨霏。管取今年衣食足。御製插秧吟。臣張照敬書。
| 文物統一編號 | 故書000596N000000000 |
| 作品號 | 故書00059600000 |
| 品名 |
清張照書御製插秧吟 軸 Transcription of the Imperial Chant of Rice Transplanting |
| 分類 | 法書 |
| 作者 | 張照,Zhang Zhao |
| 書體 | 行楷書 |
| 數量 | 一軸 |
| 作品語文 | 漢文 |
| 釋文 | 池田漠漠薰風起。插秧時節江村美。茅屋家家晝揜門。一畦新穎浮清水。兒騎秧馬學插秧。壯者手疾力獨強。老翁背直難傴僂。杖藜督課溝塍旁。晚來共浴前溪曲。幾堆雲腳出山谷。但願知時甘雨霏。管取今年衣食足。御製插秧吟。臣張照敬書。 |
| 位置 | 尺寸(公分) |
|---|---|
| 本幅 | 343.6x134.9 |
| 質地位置 | 質地 |
|---|---|
| 本幅 | 紙 |
| 印記類別 | 印主 | 印記 |
|---|---|---|
| 作者印記 | 張照 | 臣照 |
| 作者印記 | 張照 | 瀛海僊班 |
| 鑑藏寶璽 | 清內府印 | 三希堂精鑑璽 |
| 鑑藏寶璽 | 清內府印 | 石渠寶笈 |
| 鑑藏寶璽 | 清內府印 | 宜子孫 |
| 鑑藏寶璽 | 宣統帝 | 宣統御覽之寶 |
| 鑑藏寶璽 | 宣統帝 | 宣統鑑賞 |
| 鑑藏寶璽 | 清高宗 | 乾隆御覽之寶 |
| 鑑藏寶璽 | 清高宗 | 乾隆鑑賞 |
| 鑑藏寶璽 | 宣統帝 | 無逸齋精鑑璽 |
| 鑑藏寶璽 | 清仁宗 | 嘉慶御覽之寶 |
| 鑑藏寶璽 | 清仁宗 | 嘉慶鑑賞 |
| 鑑藏寶璽 | 清仁宗 | 寶笈三編 |
| 類別 | 參考資料 |
|---|---|
| 內容簡介 | 張照(西元一六九一-一七四五年),華亭(今上海松江)人。字得天,號涇南、梧囪、天瓶居士。擅長書法,深通佛教經典,在法律和音樂方面也有很高的造詣。 張照的書法先從董其昌入手,後來又研習唐代的顏真卿以及宋代米芾,所以他的書風雄渾厚實。這幅字雖然墨色變化豐富,不過筆力稍嫌柔弱,可能是因為這件書蹟是奉皇帝的敕命所作,難免受到牽制,因此顯得較為拘謹。 |
| 內容簡介 | 張照(西元一六九一─一七四五年),華亭(今上海松江)人。字得天,號涇南,別號梧囪,又號天瓶居士。性地高明,深通釋典,研法律,精音樂,尤工書法。 張照書法初從董其昌入手,繼乃出入米芾、顏真卿,頗有渾厚之勢。其字往往墨豐而筆偏弱,或因身在朝中,多為奉命之作,故不免有所牽制,而較顯拘泥了。 |
| Description | Chang Chao was a native of the Shanghai area. Exceptionally bright, he was known for his erudition in the Classics and legal traditions as well as his skill at both music and calligraphy. Early in his calligraphic training, Chang studied the style of Tung Ch'i-ch'ang. Later, he looked to the venerated traditions of Mi Fu and Yen Chen-ch'ing to give his style depth and power. Most of his surviving works reveal the use of dark, rich ink, but betray some weakness in brushwork. This perhaps resulted from the fact that most of his works were done at the behest of the emperor, and he was thus subject to certain expectations of style and form to which he consistently adhered. |
| 收藏著錄 | 石渠寶笈三編(御書房),第七冊,頁3169 |
| 收藏著錄 | 故宮書畫錄(卷八),第四冊,頁14 |