清張照臨米芾重九會郡樓詩帖 軸
Copy of Mi Fu's Poetry Modelbook of Meeting at the County Tower on the Double Ninth Festival
法書
山清氣爽九秋天。黃菊紅茱滿泛船。千里結言寧有後。群賢畢至猥居前。杜郎閑客今焉是。謝守風流古所傳。獨把秋英緣底事。老來情味向詩偏。米芾重九會郡樓詩帖。臣張照敬臨。
| 文物統一編號 | 故書000588N000000000 |
| 作品號 | 故書00058800000 |
| 品名 |
清張照臨米芾重九會郡樓詩帖 軸 Copy of Mi Fu's Poetry Modelbook of Meeting at the County Tower on the Double Ninth Festival |
| 分類 | 法書 |
| 作者 | 張照,Zhang Zhao |
| 書體 | 行書 |
| 數量 | 一軸 |
| 作品語文 | 漢文 |
| 釋文 | 山清氣爽九秋天。黃菊紅茱滿泛船。千里結言寧有後。群賢畢至猥居前。杜郎閑客今焉是。謝守風流古所傳。獨把秋英緣底事。老來情味向詩偏。米芾重九會郡樓詩帖。臣張照敬臨。 |
| 位置 | 尺寸(公分) |
|---|---|
| 本幅 | 176.2x90.4 |
| 質地位置 | 質地 |
|---|---|
| 本幅 | 紙 |
| 印記類別 | 印主 | 印記 |
|---|---|---|
| 作者印記 | 張照 | 臣照 |
| 作者印記 | 張照 | 瀛海僊班 |
| 鑑藏寶璽 | 清內府印 | 三希堂精鑑璽 |
| 鑑藏寶璽 | 清高宗 | 石渠定鑑 |
| 鑑藏寶璽 | 清內府印 | 石渠寶笈 |
| 鑑藏寶璽 | 清內府印 | 宜子孫 |
| 鑑藏寶璽 | 宣統帝 | 宣統御覽之寶 |
| 鑑藏寶璽 | 清高宗 | 乾清宮鑑藏寶 |
| 鑑藏寶璽 | 清高宗 | 乾隆御覽之寶 |
| 鑑藏寶璽 | 清高宗 | 乾隆鑑賞 |
| 鑑藏寶璽 | 清仁宗 | 嘉慶御覽之寶 |
| 鑑藏寶璽 | 清高宗 | 寶笈重編 |
| 類別 | 參考資料 |
|---|---|
| 內容簡介 | 張照，華亭人。字得天，號涇南。康熙進士，雍正間官至刑部尚書。通法律，精音樂，尤工書法。生於康熙三十（一六九一）年，卒於乾隆十（一七四五）年，年五十五。 書畫紀略稱張照書法初從董香光入手，繼乃出入顏米。天骨開張，氣魄渾厚，雄跨當代，深被宸賞。 |
| Description | Chang Chao was a native of Hua-t'ing, Kiangsu. His style name was Te-t'ien, his sobriquet Ching-nan. Having passed his chin-shih examination in the K'ang-hsi era (1662-1722), Chang eventually rose to the influential position of Minister of the Board of Punishments. He was a man of versatile talents; he had an insightful understanding of legal matters, was proficient in music, and was especially skilled in calligraphy. In calligraphy he at first followed Tung Ch'i-ch'ang (1555-1636), but then turned to Yen Chen-ch'ing (709-785) and Mi Fu (1051-1107). The structure of his characters is natural, and the composition expansive and open. The total spirit is weighty and thick. His works were much appreciated in his own day. |
| 收藏著錄 | 石渠寶笈續編（乾清宮），第二冊，頁695 |
100萬像素圖檔下載
600萬像素圖檔下載