清梁啟超行書八言聯　軸

Eight-character Couplet in Running Script

法書

荷扇夏涼綠衣持節。杏烘春晝紅粉鬬粧。褧裳仁弟索書。梁啟超。

基本資料典藏尺寸質地印記資料參考資料保存維護

文物統一編號	贈書000722N000000000
作品號	贈書00072200000
品名	清梁啟超行書八言聯　軸 Eight-character Couplet in Running Script
分類	法書
作者	梁啟超
書體	楷書
數量	二軸
作品語文	漢文
釋文	荷扇夏涼綠衣持節。杏烘春晝紅粉鬬粧。褧裳仁弟索書。梁啟超。

位置	尺寸(公分)
本幅	161.9x39

質地位置	質地
本幅	紙

印記類別	印主	印記
作者印記	梁啟超	啟超長壽
作者印記	梁啟超	新會梁氏伯子

類別	參考資料
內容簡介	梁啟超（1873－1928），廣東新會人。字卓如，號任公。康有為弟子。清光緒十五年（1889）舉人。近代著名政治家、文學家。書法上，受康有為之影響，取法北碑，尤宗北魏〈張黑女墓誌〉、隋〈龍藏寺碑〉，筆法渾厚，間亦作畫。此件行楷書無論從結體與用筆，皆可看出梁啟超對於北碑精研甚深，筆畫方圓兼具，沉穩內斂，深得北碑風韻。鄭褧裳先生舊藏，鄭美成女士捐贈於民國86年。(20110204)
Description	Liang Qichao (style name Zhuoru, sobriquet Rengong) was a native of Xinkuai, Guangdong. A student of the famous scholar-official Kang Youwei, Liang received his Provincial Graduate (juren) civil service degree in 1889 and went on to become a renowned politician and literary figure in modern China. Under Kang’s influence, Liang’s calligraphy followed in the style of Northern steles, especially the Zhang Heinu tomb inscription of the Northern Wei and the Longcang stele inscription of the Sui dynasty, yielding a simple yet mature manner. Liang also occasionally did paintings. This couplet in semi-regular script, in terms of both character form and brushwork, reveals a profound and solid study of Northern steles. The brushstrokes are both angular and rounded, steady and introverted, revealing how deeply Liang achieved the spirit of Northern stele calligraphy. From the former collection of Mr. Cheng Chiung-shang, this couplet was donated to the National Palace Museum by Ms. Cheng Mei-ch’eng in 1997.(20110204)

類別

參考資料

內容簡介

梁啟超（1873－1928），廣東新會人。字卓如，號任公。康有為弟子。清光緒十五年（1889）舉人。近代著名政治家、文學家。書法上，受康有為之影響，取法北碑，尤宗北魏〈張黑女墓誌〉、隋〈龍藏寺碑〉，筆法渾厚，間亦作畫。此件行楷書無論從結體與用筆，皆可看出梁啟超對於北碑精研甚深，筆畫方圓兼具，沉穩內斂，深得北碑風韻。鄭褧裳先生舊藏，鄭美成女士捐贈於民國86年。(20110204)

Description

Liang Qichao (style name Zhuoru, sobriquet Rengong) was a native of Xinkuai, Guangdong. A student of the famous scholar-official Kang Youwei, Liang received his Provincial Graduate (juren) civil service degree in 1889 and went on to become a renowned politician and literary figure in modern China. Under Kang’s influence, Liang’s calligraphy followed in the style of Northern steles, especially the Zhang Heinu tomb inscription of the Northern Wei and the Longcang stele inscription of the Sui dynasty, yielding a simple yet mature manner. Liang also occasionally did paintings. This couplet in semi-regular script, in terms of both character form and brushwork, reveals a profound and solid study of Northern steles. The brushstrokes are both angular and rounded, steady and introverted, revealing how deeply Liang achieved the spirit of Northern stele calligraphy. From the former collection of Mr. Cheng Chiung-shang, this couplet was donated to the National Palace Museum by Ms. Cheng Mei-ch’eng in 1997.(20110204)

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