Ni Chengkuan's Transcription of Mi Fu's Modelbook "Theory on Ten Types of Paper" and a Flower Painting by a Qing Author: Transcription of Mi Fu's Modelbook "Theory on Ten Types of Paper"

成扇

福州紙漿硾亦能歲久。余往見杭州俞氏張長史惡札。禪師不合為婚主者是也。越陶竹萬杵在油拳上。緊薄可愛。余年五十始作此紙。謂之金版也。六合紙自晉已用。乃蔡侯漁網遺制也。網。麻也。人因而用木皮。河北桑皮紙白而慢愛糊漿。硾成佳如古紙。余得用淮陽守糊背千硾亦頗佳。仍發墨油拳不漿。濕則硾能如漿。然不奈久。唐人漿硾六合慢麻紙。書經明透。歲久水濡不入。饒州竹入墨在連上。又有黃皮紙天性如染。薄緊可愛。亦宜背古書耳。川麻不漿以膠作黃紙。唐詔敇皆是。所以有白之別。廿年前未使灰。透明有骨。古紙擣細者。不在唐澄心之下。康王教紙。近遂灰品不及康王。唐硬黃摹書。皆令冷金向明榻也。紙細無如川紙。故詔敇因而禁臣下上表不得僭也。米芾十紙說帖。臣倪承寬敬書。