| 文物統一編號 |
贈畫000262N000000000
|
| 作品號 |
贈畫00026200000 |
| 品名 |
清翁同龢畫梅並題 軸
Painting of Plum Blossoms with Inscription |
| 分類 |
繪畫 |
| 作者 |
翁同龢 |
| 創作時間 |
清光緒二十六年(1900) |
| 數量 |
一軸：二幅 |
| 位置 |
尺寸(公分) |
| 全幅 |
219.8x49 |
| 下幅 |
23.6x45.2 |
| 上幅 |
24.8x30.7 |
| 印記類別 |
印主 |
印記 |
| 收傳印記 |
|
木厂 |
| 收傳印記 |
|
木盦 |
| 收傳印記 |
|
雨廔審定（重一） |
| 收傳印記 |
譚伯羽 |
習是齋藏天隨閣珍品 |
| 收傳印記 |
譚伯羽 |
習是齋藏天隨閣遺篋珍品 |
| 類別 |
參考資料 |
| 收藏著錄 |
譚伯羽譚季甫先生昆仲捐贈文物目錄，頁88、206、352-353
|
| 網頁展示說明 |
翁同龢（西元１８３０一１９０４年），江蘇常熟人。字叔平，晚號瓶生，自署松禪，又署瓶齋居士。咸豐六年（１８５６）進士，為晚清名臣。書法早年學習唐代的歐陽詢、褚遂良，兼取元趙孟頫和明董其昌的筆意，中年法唐之顏真卿和宋蘇軾、米芾，並轉習北碑及漢隸。
此為翁同龢書畫自娛的作品，書和畫各一幅，上下裝裱的型式在軸中並不常見。前人曾說他間作山水木石及雜畫，隨意點染，古趣盎然，在此當可略窺端倪。下幅的一枝墨梅，筆簡而有書法意趣，甚為古拙；上幅以隸書書「山華礧落圖以自娛」句，用筆圓鈍，其中帶有楷書、篆書的意味，恰與畫梅之筆相呼應。
|
| 網頁展示說明 |
Weng T'ung-ho (tzu Shu-p'ing, wan-hao P'ing-sheng, tzu-shu Sung-ch'an, shu P'ing-chai Chu-shih) was a native of Ch'ang-shu, Kiangsu province. In the sixth year of the Hsien-feng reign (1856) he passed the chin-shih examinations, and by the late Ch'ing period he had become a renowned official. His early work shows the influence of the T'ang calligraphers Ou-yang Hsun and Ch'u Sui-liang, the Yuan calligrapher Chao Meng-fu, and the Ming calligrapher Tung Ch'i-ch'ang. During his middle years, Weng began to emulate the works of the T'ang calligrapher Yen Chen-ch'ing and the Sung scholars Su Shih and Mi Fu. He also studied Northern Wei steles and Han clerical script.
This work was done by Weng T'ung-ho for his own personal enjoyment. It consists of an unusual arrangement of calligraphic and painting sections mounted vertically on a hanging scroll. It has been said that Weng painted landscapes, natural settings, and other various themes. His work is characterized by its spontaneous style and deeply imbued with archaic charm, of which a glimpse is provided here. The ink plum blossom in the lower section is described in a spare, calligraphic style with an unpolished, archaic quality. The upper section is a clerical script inscription that reads, "A painting of beautiful mountain flowers to amuse myself." It is executed with round, blunt brushstrokes and bears elements of both regular and seal script, appropriately echoing the style of the plum blossom painting.
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