宋搨武岡帖（十） 冊 唐高閑正嘉帖
Zhengjia Modelbook
法帖
正素（一釋「嘉」）座主。律德寺中無他請盟。廚屋終是好也。敬空。
| 文物統一編號 | 故帖000061N000000000 |
| 作品號 | 故帖00006100010 |
| 品名 |
宋搨武岡帖（十） 冊 唐高閑正嘉帖 Zhengjia Modelbook |
| 分類 | 法帖 |
| 作者 | 高閑,Gaoxian |
| 書體 | 草書 |
| 數量 | 一幅 |
| 作品語文 | 漢文 |
| 釋文 | 正素（一釋「嘉」）座主。律德寺中無他請盟。廚屋終是好也。敬空。 |
| 質地位置 | 質地 |
|---|---|
| 本幅 | 紙 |
| 類別 | 參考資料 |
|---|---|
| 內容簡介 | 高閑（約活動於西元九世紀），烏程（今浙江湖州）人。唐開元寺僧，善草書，筆法得自張旭、懷素。宣宗（847-859）嘗召賜紫袍，文壇領袖韓愈並曾作序送之。鮮于樞評高閑用筆粗，草書較乏古意法度。 高閑傳世僅有一千字文殘本墨蹟，其餘作品均為刻帖。本次選展二帖，出自南宋湖南私人重摹〈絳帖〉所刻的〈武岡帖〉，為〈淳化閣帖〉的第三代子孫。相對於墨蹟千文，可知此帖摹刻偏瘦。 (20121017) |
| Description | Gaoxian, a native of Wucheng (modern Huzhou, Zhejiang), was a monk at Kaiyuan Temple. Excelling at cursive script, his brush methods derived from Zhang Xu and Huaisu. Emperor Xuanzong (r. 847-859) presented him a Purple Robe, and literary leader Han Yu gave him a preface. Xianyu Shu critiqued Gaoxian’s brushwork as rough, his cursive lacking in archaism. Only a partial ink version of Gaoxian’s “Thousand Character Essay” survives, the others being engravings. These two works are from “Wugang Modelbooks” after “Jiang Modelbooks” privately engraved in Hunan in the Southern Song, representing a third generation “Chunhua Pavilion Modelbooks.” Compared to the “Thousand Character Essay” in ink, these engravings are thinner. (20121017) |
| 收藏著錄 | 石渠寶笈三編（懋勤殿），第六冊，頁2781-2782 |
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