跳到主要內容區塊
宋人雜書 冊 無款詩帖

Poetry (Originally attributed as anonymous)

法書

江山雖闊少知音。獨自垂釣到夜深。唯有一輪潭底月。隨人船後聽人吟。賜李彥直。

文物統一編號 故書000247N000000001
作品號 故書00024700001
品名 宋人雜書 冊 無款詩帖
Poetry (Originally attributed as anonymous)
分類 法書
書體 草書
數量 一幅
作品語文 漢文
釋文 江山雖闊少知音。獨自垂釣到夜深。唯有一輪潭底月。隨人船後聽人吟。賜李彥直。
位置 尺寸(公分)
本幅 23.8x25.9
質地位置 質地
本幅
印記類別 印主 印記
作者印記 御書
鑑藏寶璽 清內府印 石渠寶笈
鑑藏寶璽 宣統帝 宣統御覽之寶
鑑藏寶璽 清仁宗 嘉慶御覽之寶
鑑藏寶璽 清仁宗 寶笈三編
類別 參考資料
內容簡介 宋高宗曾親自教導孝宗(1127-1194)學習書法,此幅草書七言絕句,書於鸞鳳紋花綾上,書風與宋高宗相似。不過高宗書筆畫較豐腴,結字略扁闊,偶帶章草古意;此幅點畫偏於細勁,運筆圓轉流暢,字形稍瘦而高長,與高宗書有所差異。可能是孝宗親書,賜與身邊內侍之作。 宋孝宗喜好蘇軾詩文,常置於身邊誦讀或書寫。從此幅書詩小品及前人記載,可以看出孝宗在文藝方面的傾向。(20101015)
Description Emperor Gaozong personally instructed his successor, Xiaozong (r. 1163-1189), in the study of calligraphy. This work transcribing a seven-character truncated verse in cursive script was calligraphed on silk decorated with phoenix designs, the style being similar to that of Gaozong. The strokes in Gaozong’s script, however, are fuller in form with characters slightly flattened and wider, transmitting the archaic manner of draft cursive. The dots and strokes here are thin yet powerful, the brush movement rounded with fluid turns. Character forms are slightly thin and elongated, revealing a difference with Gaozong’s calligraphy. This work may have been personally calligraphed by Xiaozong and presented to an attendant official. Xiaozong enjoyed the poetry and writing of the famous Northern Song scholar-artist Su Shi, which he would often chant or transcribe. From this intimate work of poetry that he calligraphed and records left by writers in the past, we can capture a glimpse of Xiaozong’s tendencies in art.(20101015)
參考書目 1.何傳馨,〈詩帖〉,收入何傳馨主編,《文藝紹興:南宋藝術與文化‧書畫卷》(臺北:國立故宮博物院,2010年十月初版一刷),頁343-344。
參考書目 何傳馨,〈宋人雜書 冊 無款詩帖〉,收入《文藝紹興-南宋藝術與文化‧書畫卷》(臺北:國立故宮博物院,2010.10),頁110-111、344。
參考書目 許文美,〈宋人雜書 冊 無款詩帖〉,收入許文美主編《無聲詩-南宋的小品繪畫》(臺北:國立故宮博物院,2021.12),頁24-27、167。
收藏著錄 石渠寶笈三編(延春閣),第五冊,頁2510-2513
收藏著錄 故宮書畫錄(卷三),第一冊,頁214-218
抽盤點紀錄 修護紀錄