| 文物統一編號 |
贈畫000439N000000000
|
| 作品號 |
贈畫00043900000 |
| 品名 |
明惲向仿巨然山水 軸
Landscape in Juran's Style |
| 分類 |
繪畫 |
| 作者 |
惲向,Yun Xiang |
| 數量 |
一軸 |
| 題跋類別 |
作者 |
位置 |
款識 |
書體 |
全文 |
| 作者款識 |
惲向
印記 expand_more
|
本幅 |
|
行書 |
氣韻從自然生。虛實相托。便謂之生筆。殊不可學。此巨僧所以高于叔明也。香山惲向。 |
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|
| 印記類別 |
印主 |
印記 |
| 收傳印記 |
黃君璧 |
白雲堂 |
| 收傳印記 |
|
荔浦珍藏 |
| 收傳印記 |
|
堅白墨緣 |
| 收傳印記 |
|
飽清談室 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
山水 |
|
|
| 其他主題 |
山水 |
山徑 |
|
| 其他主題 |
建築 |
房舍 |
|
| 其他主題 |
樹木 |
|
|
| 類別 |
參考資料 |
| 內容簡介 |
惲向（西元一五八六－一六五五年），字本初，號香山翁。崇禎間舉賢良方正，授中書，棄官歸。好詩歌及古文辭，善畫山水，頗得雄渾之趣。早歲氣厚力沈，全摹董源、巨然，晚年惜墨如金，平淡天真，意興在倪瓚、黃公望之間。卒年七十。著畫旨及「汝陰詩」，侄惲壽平少時，嘗師事之。
本幅畫山中人家，筆墨清雅，潔淨若一塵不染，望之如入清淨之境。
本幅為黃君壁先生捐贈。
|
| Description |
Yun Hsiang was styled Pen-ch’u; his sobriquet was Hsiang-shan Weng. During the Ch’ung-chen reign (1628-1644) Yun Hsiang was recommended for office, but he eventually renounced public service and returned to his native home. He was fond of the literary arts and excelled as a painter of landscapes, attaining an air of strength and substantiality in his works. His early paintings are particularly forceful, entirely in the styles of the Five Dynasties (906-960) painters Tung Yuan and Chu-jan. Later in life he used ink sparingly, his conceptions approaching those of the Yuan painters Ni Tsan and Huang Kung-wang. Yun Hsiang’s nephew Yun Shou-p’ing, an important painter of the Ch’ing dynasty, served Yun Hsiang when he was young.
This landscape reveals a clean and elegant use of brush and ink, and the atmosphere is pure and alluring. This painting was presented to the museum by Huang Chun-pi.
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| 收藏著錄 |
黃君璧先生捐贈文物特展目錄，頁15-16、46
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本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
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