| 文物統一編號 |
贈畫000438N000000000
|
| 作品號 |
贈畫00043800000 |
| 品名 |
明文徵明蕉池積雪 軸
Banana Plant in the Snow |
| 分類 |
繪畫 |
| 作者 |
文徵明 |
| 創作時間 |
明世宗嘉靖十一年（1532） |
| 數量 |
一幅 |
| 題跋類別 |
作者 |
位置 |
款識 |
書體 |
全文 |
| 作者款識 |
文徵明
印記 expand_more
|
本幅 |
張外史伯雨。甞得古銅洗。種小蕉白石上。置洗池中。名曰蕉池積雪。賦詩云。銅駝陌上得銅洗。曾見漢朝風露零。寒光未蝕刼灰黑。古色猶帶宫苔青。金人垂淚漫懷古。玉女洗頭真寓形。天公作池媚蕉雪。何以報之雙玉瓶。周江邨作蕉池積雪軒。饒分之追和外史韻。周君張君先後爾。以蕉飬雪誰先零。種玉得名亦齒齒。孤鸞落羽何青青。豈不能供一日樂。詎有常存千嵗形。銅官鑄洗洗獨在。笑灌翠碧宜銀瓶。倪元鎮次前韻。雪中芭蕉見圖畫。蕉池積雪終凋零。風翻窓裡浪花白。雨壓牀頭雲朵青。詩人超軼有遠思。造物變幻難逃形。爾亦林居喜幽事。曉挹石溜携銅瓶。種蕉依石名蕉雪。積雪常存蕉未零。淡影半籠寒尚淺。素光相照色逾青。秋風不剪新抽葉。春水難消已練形。勾曲老𠎣親灌𠁅。輞川莊上汲銅瓶。凡物深培出常類。宜爾雪蕉寒不零。孤根𠊓石一何潔。數葉含風長自青。目前無塵竟成趣。茟端有神能幻形。怡然相對不相厭。此意猶如雪在瓶。趙宗文。愛爾東原延綠亭。不随凡卉一時零。詩中有畫人如玉。眼底無塵雪亦春。幾葉自成鸞舞影。一拳誰作虎潜形。雨聲莫漫雲根滴。我欲携之浸玉瓶。周𪔂伯噐。讀書窓外靈苗異。托根石罅難凋零。一拳浸水自然白。數葉藏春依舊青。濃雲只訝鳳垂翼。素質猶疑羊化形。惟有梅華可同調。好折霜枝浸膽瓶。錢昌允言。先君溫州嘗同吕太長追和其韻。好事品題成小巧。古賢風韻未凋零。𠎣人掌上一團雪。摩詰圖中四序青。聊爾栽培供一笑。不須磨洗是忘形。何當月下仍招我。贈子中泠水滿瓶。嘉靖壬辰（西元一五三二年）秋八月既望。長洲文徵眀追和并錄。 |
楷書 |
|
| 印主 |
印記 |
| 文徵明 |
文徵明印 |
| 文徵明 |
徵仲 |
| 文徵明 |
停雲 |
|
| 印記類別 |
印主 |
印記 |
| 收傳印記 |
|
大文鑑賞 |
| 收傳印記 |
|
子安 |
| 收傳印記 |
黃君璧 |
白雲堂藏 |
| 收傳印記 |
|
仲子 |
| 收傳印記 |
|
冏安居 |
| 收傳印記 |
黃君璧 |
南海黃君璧藏 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
山水 |
奇石 |
|
| 主要主題 |
器用 |
花器 |
花盆 |
| 次要主題 |
樹木 |
芭蕉 |
|
| 類別 |
參考資料 |
| 內容簡介 |
文徵明（西元年一四七○－一五五九）江蘇長洲人，文信公後裔。初名壁，字徵明，後以字行，更字徵仲，號停雲生、衡山。畫師沈周，書畫雙絕，為明四大家之一。文氏享年九十，高齡健碩，猶孜孜於書畫，故作品傳世頗多。本幅畫蕉石盆景，幅上題詠甚多，道出畫題來源。如就畫賞畫，綠蕉白石古盆，相映成趣，彌覺可愛。款署壬辰（一五三二）亦脫境之筆。本幅為黃君璧先生捐贈。
|
| 內容簡介 |
文徵明（西元一四七○—一五五九年），長洲（今江蘇蘇州）人，文信公後裔。初名壁，字徵明，後以字行，更字徵仲，號停雲生、衡山。畫師沈周，書畫雙絕，為明四大家之一。文氏享年九十，高齡健碩，猶孜孜於書畫，故作品傳世頗多。
本幅為黃君璧先生捐贈，畫蕉石盆景，幅上題詠甚多，道出畫題來源。畫中綠蕉、白石、古盆相映成趣，彌覺可愛。款署壬辰（一五三二），是年文氏六十三歲。
|
| Description |
Wen Zhengming, a native of Changzhou (modern Suzhou, Kiangsu), was a descendant of Wen Xingong. Originally named Bi and style name Zhengming, he later went by his style name and took another one, Zhengzhong, along with the sobriquets Tingyunsheng and Hengshan. In painting, he followed Shen Zhou, coming to excel at this art form and calligraphy and being recognized as one of the Four Ming Masters. Wen Zhengming lived to be nearly 90 and still in good health in his advanced years, diligently doing painting and calligraphy. This accounts for the large number of his surviving works.
This painting, donated to the National Palace Museum by Mr. Huang Chun-pi, depicts a banana plant and a stone in a pot. Many inscriptions of poetry appear on the work, and from them we learn the origin of the subject matter here. The green banana leaves, white rock, and archaic pot contrast in an interesting manner for an appealing effect. The inscription is dated to the equivalent of 1532, when Wen was 63 by Chinese reckoning.
|
| Description |
Wen Cheng-ming was a native of Chiang-chou, Kiangsu. He is known for his excellence both in calligraphy and painting. He learned painting from Shen Chou, and like his teacher, Wen Cheng-ming is known as one of the Four Masters of the Ming. Wen Cheng-ming lived to be ninety years old. Throughout his life he diligently practiced painting and calligraphy, and for this reason his extant works are numerous.
This painting portrays a banana plant and a rock in a pot. Inscriptions on the painting are extremely numerous, and from them we learn the origin of the subject matter of the painting. The painting was made in 1532 when the artist was sixty-two years old. This painting was presented to the museum by Huang Chun-pi.
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本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
抽盤點紀錄
修護紀錄
