| 文物統一編號 |
贈畫000532N000000000
|
| 作品號 |
贈畫00053200000 |
| 品名 |
民國高奇峰畫猿 軸
Monkey |
| 分類 |
繪畫 |
| 作者 |
高奇峰,Gao Qifeng |
| 數量 |
一軸 |
| 位置 |
尺寸(公分) |
| 全幅 |
173.4x55.6 |
| 本幅 |
98.2x45.7 |
| 印記類別 |
印主 |
印記 |
| 收傳印記 |
林宗毅 |
我愛吾廬 |
| 收傳印記 |
林宗毅 |
定靜堂印 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
走獸 |
猴 |
|
| 其他主題 |
樹木 |
松 |
|
| 類別 |
參考資料 |
| 內容簡介 |
高嵡（西元一八八九－一九三三年），廣東番禺人。字奇峰，崙弟。早年學畫於兄，後東渡日本，再求深造。繪畫技法融合中外，自成面目，與兄崙、陳樹人、鄭錦等，為嶺南畫派倡導人。花卉、翎毛、走獸均有獨特風格。
松幹上一猿蹲踞，凝神遠望，似若有所思，通幅有寫生之意，設色濃郁。猿之毛髮，極為潤澤，乃以暈染之法畫成，少見筆蹤，畫松則筆墨蒼邁，松針尤為挺拔，剛勁如出鞘之劍。
本幅為林宗毅先生捐贈。
|
| 內容簡介 |
高奇峰（一八八九-一九三三），廣東省番禺（今廣州）人。早歲隨其兄劍父習畫，畫風受兄長及居巢（？-一八九九）、居廉（一八二八-一九○四）風格影響。留日期間，自中西畫學擷取所長，形成了自己的藝術風格。棲息於松樹上猿猴，以設色水墨渲染而成，透過光源及亮彩的表現，色調作深淺的變化，形像生動。署於畫幅左下方之款識，結字奇特，具有個人風格。本幅為林宗毅先生捐贈。
|
| Description |
Macaque
Kao Ch’i-feng (1889-1933)
Republican Period
Kao Ch’i-feng, a native of P’an-yu in Kwangtung (modern Canton), early studied painting with his elder brother Kao Chien-fu, being influenced by his brother’s style and that of Chu Ch’ao (?-1899) and Chu Lien (1828-1904). During his stay in Japan, Kao borrowed from the virtues of Chinese and Western painting to form his own unique style.
In this work donated by Mr. Lin Tsung-i, a macaque in washes of ink and colors is shown seated on the diagonal trunk of a pine tree. Through the effects of light and hues, variations of the shades and depth of coloring is achieved for an animated effect. The unusual calligraphy of the artist’s signature at the bottom left is also done in a very individualistic manner.
|
| Description |
Monkey
Kao Weng (1889-1933)
Republican Period
Kao Weng (style name Ch’i-feng) was a native of Fan-yu, Kwangtung and was the younger brother of Kao Lun (1878-1951). In his youth he studied painting with his elder brother and later traveled to Japan to pursue advanced study. In addition to combining foreign and Chinese elements in his painting, Kao created his own style. Together with his brother Kao Lun, Ch’en Shu-jen (1883-1948), and Cheng Chin (Republican period), they became the advocates and leaders of the Ling-nan School of painting. Kao’s flowers, birds, and animals were all unique in style.
On top of a branch of a pine tree sits a monkey gazing attentively into the distance as if in thought. This painting bears the sentiment of a sketch from life, with thick and heavy coloration. The hair of the monkey, delineated with the application of wet wash, appears extremely fluid with few vestiges of the brush. The use of brush and ink for the pine is rugged and antique, and the needles of the pine are particularly hard and piercing with the force of a drawn sword.
This painting was donated to the Museum by Mr. Lin Tsung-yi.
|
| 參考書目 |
1.劉芳如，〈民國高嵡猿圖〉，收入劉芳如主編，《十九世紀末期中西畫風的感通之二－－國立故宮博物院所藏同時期名家作品展》（臺北：國立故宮博物院，1993年初版），頁158。
2.譚怡令，〈近代繪畫在中國 — 「十九世紀末期中西畫風的感通」展出前言〉，《故宮文物月刊》，第119期（1993年2月），頁28。
|
| 參考書目 |
〈民國高奇峰畫猿 軸〉，收入劉芳如、許文美主編《溯源與拓展-嶺南畫派特展》（臺北：國立故宮博物院，2013.06），頁198-199、264。
|
| 收藏著錄 |
林宗毅先生捐贈書畫目錄，頁100-101、140
|
本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
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