文物統一編號 |
贈畫000519N000000000
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作品號 |
贈畫00051900000 |
品名 |
清倪田花鳥 軸
Flowers and Birds |
分類 |
繪畫 |
作者 |
倪田,Ni Tian |
數量 |
一軸 |
印記類別 |
印主 |
印記 |
收傳印記 |
林宗毅 |
志超審定 |
收傳印記 |
林宗毅 |
來青閣 |
收傳印記 |
林宗毅 |
宗淨道人 |
主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
主要主題 |
翎毛 |
鸞鳳 |
白鳳 |
其他主題 |
樹木 |
竹 |
朱竹 |
其他主題 |
樹木 |
梧桐 |
|
類別 |
參考資料 |
內容簡介 |
倪田(西元一八五五-一九一九年),江蘇揚州人,僑居上海。初名寶田,字墨耕,號默道人,璧月盦主。初學畫於王小梅(素),人物、仕女及古佛像取境高逸,尤善畫馬及走獸.。光緒中行商到滬,愛任頤畫,遂棄其業而參用任法。水墨巨石,設色花卉,腴潤遒勁,擅勝於時,兼工山水,並不多見。寓滬鬻畫垂三十年。卒年六十五。
梧桐朱竹、白鳳棲枝。通幅未加起稿,鉤畫渲暈,信手揮灑而成,用筆勁健爽朗。
本幅為林宗毅先生捐贈。
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Description |
White Phoenix
Ni T’ien (1855-1929)
Ch’ing Dynasty
Ni T’ien (given name Pao-t’ien; style name Mo-keng; sobriquet Pi-yueh-an-chu) was a native of Yangchow, Kiangsu. He was originally a student of Wang Su (1794-1877), and his paintings of humans, ladies, and ancient Buddhist figures were lofty in sentiment. He was particularly adept at depicting horses and beasts. During the Kuang-hsu reign (1864-1906) he travelled to Shanghai, where he fell in love with Jen Yi’s (1840-1896) paintings. He subsequently became his pupil. Ni’s large monochrome stones and polychrome flowers and plants were radiant and forceful, and he was well-known during his lifetime. Few of his fine landscapes are still extant. Ni lived and sold paintings in Shanghai for thirty years. He died when he was sixty-five.
A white phoenix perched on a branch of a firmiana tree beside vermilion bamboo. The painting was done without a prepared draft. The outlines and colors were added effortlessly and freely, still producing rigid and refreshing brushwork.
This painting was donated to the Museum by Mr. Lin Tsung-yi.
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參考書目 |
1.劉芳如,〈清倪田花鳥圖〉,收入劉芳如主編,《十九世紀末期中西畫風的感通之二--國立故宮博物院所藏同時期名家作品展》(臺北:國立故宮博物院,1993年初版),頁122。
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收藏著錄 |
林宗毅先生捐贈書畫目錄,頁73、128-129
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本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
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