| 文物統一編號 |
贈畫000497N000000006
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| 作品號 |
贈畫00049700006 |
| 品名 |
清黃慎花卉 冊 梅花
Plum Blossoms |
| 分類 |
繪畫 |
| 作者 |
黃慎 |
| 創作時間 |
清高宗乾隆九年（1744） |
| 數量 |
一幅 |
| 題跋類別 |
作者 |
位置 |
款識 |
書體 |
全文 |
| 作者款識 |
黃慎
印記 expand_more
|
本幅 |
一筇一笠一癭瓢。愛向峰頭把鶴招。莫道歸來無故物。梅花清福也難銷。乾隆九年（一七四四年）小春月。寧化黃慎寫。 |
草書 |
|
|
|
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
花草 |
梅（白．紅．蠟梅） |
|
| 類別 |
參考資料 |
| 內容簡介 |
黃慎（西元一六八七－一七六八年尚在），福建寧化人。字躬懋，又字恭懋，一字恭壽，號廮瓢。家貧無以為生，遂學畫。方十八、九歲，寄身蕭寺，晝為畫，夜無燭，乃從佛堂燈火讀書。其藝既擅，終鬻畫揚州。畫能開創筆墨新趣，而為「揚州八怪」之一。
黃氏作畫，向能自出新意。此幀墨梅，選自其「花卉冊」第六開，尤不能以形似觀念視之。但以快速運筆，草寫梅幹著花之勢，筆法縱恣而不失靈秀，並將水墨寫意之趣發揮至極致。
|
| Description |
Huang Shen (style name Kung-mou and Kung-shou; sobriquet Ying-p’iao0 was a native of Ning-hua, Fukien. His family was poor with no means of support, so he began studying to paint as a youth. At the age of about 18, he took up residence at a Buddhist monastery, painting by daylight and studying at night by the lamp light in the image hall. His art began to be known and he finally ended up selling paintings in Yangchow. He created a fresh and innovative painting style, becoming later known as one of the “Eight Eccentrics of Yangchow.”
Huang Shen was innovative in painting. This album leaf of plum blossoms in monochrome ink can certainly not be considered from the view of form likeness. Moreover, in the quick brush movements that cursively rendered the forceful plum branch and blossoms, the brushwork is unrestrained yet has not lost its elegant spirit. Judging from this work, Huang Shen developed the method of monochrome ink “sketching ideas” to a peak of abstraction.
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| 參考書目 |
1.劉芳如，〈清黃慎梅花〉，收入國立故宮博物院編輯委員會編，《畫梅名品特展》（臺北：國立故宮博物院，1991年元月初版），頁101。
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| 收藏著錄 |
林宗毅先生捐贈書畫目錄，頁21-23、114
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本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
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