清蒲華墨竹六屏 軸
Six Screens of Ink Bamboo
繪畫
| 文物統一編號 | 贈畫000425N000000000 |
| 作品號 | 贈畫00042500000 |
| 品名 |
清蒲華墨竹六屏 軸 Six Screens of Ink Bamboo |
| 分類 | 繪畫 |
| 作者 | 蒲華,Pu Hua |
| 數量 | 六軸 |
| 類別 | 集叢名稱 | 件 | 開 | 幅 |
|---|---|---|---|---|
| 著錄細目 | 清蒲華墨竹六屏 軸 之一 | 01 | ||
| 著錄細目 | 清蒲華墨竹六屏 軸 之二 | 02 | ||
| 著錄細目 | 清蒲華墨竹六屏 軸 之三 | 03 | ||
| 著錄細目 | 清蒲華墨竹六屏 軸 之四 | 04 | ||
| 著錄細目 | 清蒲華墨竹六屏 軸 之五 | 05 | ||
| 著錄細目 | 清蒲華墨竹六屏 軸 之六 | 06 |
| 位置 | 尺寸(公分) |
|---|---|
| 本幅 | 174x47.8 |
| 全幅 | 231.6x59.6 |
| 類別 | 參考資料 |
|---|---|
| 內容簡介 | 蒲華（西元一八三○－一九一一年），秀水（今浙江嘉興）人，僑寓上海。字作英，一署胥山外史，原名成，字竹英。草書自謂效呂洞賓、白玉蟾，筆意奔放。早歲畫花卉，在徐渭、陳淳間。晚乃畫竹，心醉文同。山水樹石，亦淋漓元氣，蓋取法石濤、石谿而加以變化。 水墨畫墨竹六屏，各有風、雨、霜、晴之姿。以濃淡墨為葉，筆勢飛舞，奇趣橫生，飄灑絕塵。款字以草書寫成，筆法瀟灑，一如其畫。 本幅為蔡辰男先生捐贈。 |
| Description | P’u Hua (style names Tso-ying and Chu-ying; also known as Hsu-shan wai-shih) was a native of Hsiu-shui (modern Chia-hsing, Chekiang), but he spent most of his life in Shanghai. P’u said that his cursive script imitated that of LuTung-ping (fl. 860-873) and Pai Yu-ch’an (fl. 1208-1224) and is expressive and unrestrained. In his early years he painted flower and plant works whose style lay somewhere between that of Hsu Wei (1521-1593) and that of Ch’en Ch’un (1483-1544). Later his bamboo paintings emulated Wen T’ung (1018-1079). His landscapes, trees, and rocks possessed an extremely wet manner: they are executed in the styles of Shih Tao (1642-1707) and Shih Hsi (1612-1673) with P’u’s own variations. These six screens of ink bamboo are portrayed amidst wind, rain or snow with varying degrees of dense and light ink. The forceful brushwork imbues the leaves with a sense of fluttering quickly as if dancing in the wind and also carries an odd flavor. The inscriptions have been written in a casually elegant cursive script similar to P’u’s painting. These paintings were donated to the Museum by Mr. Ts’ai Ch’en-nan. |
| 參考書目 | 1.劉芳如，〈清蒲華墨竹六屏〉，收入劉芳如主編，《十九世紀末期中西畫風的感通之二－－國立故宮博物院所藏同時期名家作品展》（臺北：國立故宮博物院，1993年初版），頁56-57。 |
| 收藏著錄 | 蔡辰男先生捐贈書畫目錄，頁61-65、125-126 |
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