明倪元璐書把酒漫成七律 軸
Seven-character Regulated Verse on a Wine Cup Overflowing
法書
南窗不作裹足臥。出門萬里隨所之。寶書長劍豈無意。白日高歌應自奇。揚子草去遭客罵。杜陵痛飲真吾師。百年業事不須問。隨𡌊看山笻一枝。把酒漫成。元璐。
| 文物統一編號 | 贈書000460N000000000 |
| 作品號 | 贈書00046000000 |
| 品名 |
明倪元璐書把酒漫成七律 軸 Seven-character Regulated Verse on a Wine Cup Overflowing |
| 分類 | 法書 |
| 作者 | 倪元璐 |
| 書體 | 行書 |
| 數量 | 一軸 |
| 作品語文 | 漢文 |
| 釋文 | 南窗不作裹足臥。出門萬里隨所之。寶書長劍豈無意。白日高歌應自奇。揚子草去遭客罵。杜陵痛飲真吾師。百年業事不須問。隨𡌊看山笻一枝。把酒漫成。元璐。 |
| 位置 | 尺寸(公分) |
|---|---|
| 本幅 | 106x48.7 |
| 全幅 | 264x59.2 |
| 質地位置 | 質地 |
|---|---|
| 本幅 | 紙 |
| 題跋類別 | 作者 | 位置 | 款識 | 書體 | 全文 |
|---|---|---|---|---|---|
| 題跋 | 附紙 | 羅家倫拜上。五十年（西元一九六一年）十一月二十日。台北。 | 行草書 | 十年前余得此幀。既慕倪鴻寶之風骨。復喜其書法之挺健。嗣察間有鈎勒痕。遂認為贗。靜農學長則以為縱贗。亦係從真跡而來。仍具參考價值。況其壁上已懸有雙鈎本。不可無伴。爰舉以贈並附小詩。聊為解嘲。並搏慕陵一笑。贈公贗鼎太荒唐。風範公云幸未亡。在昔臨摹鈎勒本。亂真遠溯到鍾王。羅家倫拜上。五十年（西元一九六一年）十一月二十日。台北。 |
| 印記類別 | 印主 | 印記 |
|---|---|---|
| 收傳印記 | 江陵李氏雲在堂主人□□藏商周金石文字秦漢官私印信唐宋元明清諸□歷代名人書畫尺牘之銘記 | |
| 收傳印記 | 周夢公祕笈印 | |
| 收傳印記 | 兢廬鑑藏 | |
| 收傳印記 | 臺靜農 | 澹臺靜農所藏 |
| 作者印記 | 倪元璐 | 太史氏 |
| 作者印記 | 倪元璐 | 倪元璐印 |
| 類別 | 參考資料 |
|---|---|
| 內容簡介 | 倪元璐（1593－1644），字汝玉，號鴻寶，又號園客，浙江上虞人。天啟二年進士，官戶禮部尚書。倪氏性情直行不阿，為世所重，崇禎十七年（1644）明亡，遂以身殉國。 倪氏書法靈秀神妙，行草尤極超逸。據附紙羅家倫先生題識，此軸為鉤摹本，但臺靜農先生卻以為鉤摹自真跡，當有一定參考價值，後由羅家倫贈予臺靜農。臺靜農書法得力於倪元璐最深，此軸雖為鉤摹，筆法較缺少變化，但仍有倪氏行草中體勢欹側且蒼勁的美感。 臺靜農先生舊藏，臺益堅先生捐贈於民國79年。 釋文：南窗不作裹足臥。出門萬里隨所之。寶書長劍豈無意。白日高歌應自奇。揚子草玄遭客罵。杜陵痛飲真吾師。百年業事不須問。隨地看山笻一枝。把酒漫成。元璐。 (20110204) |
| Description | Ni Yuanlu, a native of Shangyu, Zhejiang, was a Presented Scholar (jinshi) civil service degree holder of 1622. He advanced to the post of Minister of Revenue and of Rites. Upright by character, he was loyal to the end; with the fall of the Ming dynasty in 1644, he committed suicide for his court. Ni’s calligraphy is known for its spirit and elegance, his semi-cursive especially free and natural. According to the inscription by Lo Chia-lun added to the scroll, this work is an outline copy. However, Tai Chin-nung believed that as an outline copy of an authentic work, it was still of certain value, which is why Lo later presented it to Tai as a gift. In fact, the strength of Tai Chin-nung’s calligraphy derives mostly from that of Ni Yuanlu. Although this scroll is an outline copy, and the brushwork has relatively few variations, it still has the force and slant of Ni’s semi-cursive script as well as mature power and a sense of beauty. From the former collection of Mr. Tai Chin-nung, this work was donated to the National Palace Museum by Mr. Tai I-chien in 1990. (20110204) |
| 收藏著錄 | 臺靜農先生遺贈書畫展覽，頁73、126-127 |
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