| 文物統一編號 |
贈畫000680N000000000
|
| 作品號 |
贈畫00068000000 |
| 品名 |
清石濤黃山潔空金碧圖 軸
The Purity and Splendor of Huangshan |
| 分類 |
繪畫 |
| 作者 |
石濤 |
| 數量 |
一軸 |
| 位置 |
尺寸(公分) |
| 本幅 |
106.3 x 30.8 |
| 全幅 |
220.5x46 |
| 題跋類別 |
作者 |
位置 |
款識 |
書體 |
全文 |
| 作者款識 |
石濤 |
|
苦瓜和尚濟 |
草書 |
靜洗諸緣潔洗空。澹氤金紫碧氤紅。從天插下飛龍影。就地擎來總不同。華藏海收誰貯雪。閻浮勢抵劫翻風。老夫盡力悲歌起。三禮瞿曇臘夜中。苦瓜和尚濟。 |
| 印記類別 |
印主 |
印記 |
| 收傳印記 |
|
清湘老人 |
| 收傳印記 |
|
搜盡奇峰打艸稿 |
| 收傳印記 |
|
膏盲子濟 |
| 收傳印記 |
|
瞎尊者 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
山水 |
|
|
| 其他主題 |
人物 |
高士（士人、隱士） |
|
| 其他主題 |
山水 |
山徑 |
|
| 其他主題 |
山水 |
雲 |
|
| 其他主題 |
建築 |
房舍 |
|
| 其他主題 |
建築 |
塔 |
|
| 其他主題 |
樹木 |
|
|
| 類別 |
參考資料 |
| 內容簡介 |
黃山舊名「黟山」，唐代天寶年間改定今名，山勢奇偉，跨越安徽歙縣、黟縣、太平、休寧四地。明清以來，黃山清絕之景常寫入畫圖，在筆墨和構圖上的變化，往往令人稱奇，其中以漸江、梅清、石濤三者的成就深受肯定，世人有「石濤得黃山之靈，梅清得黃山之影，漸江得黃山之質」的論評。此幅黃山圖為羅家倫先生捐贈本院收藏，筆墨、構景均有新意，自然流露黃山之美。
|
| 內容簡介 |
石濤（西元一六四二－一七○八年），廣西桂林人。原名朱若極，為明皇族後裔。明亡後出家為僧，曾遊歷安徽宣城，及金陵、揚州等地。作畫落筆狂縱恣肆，用墨更淋漓多變，倡我用我法，脫盡前人窠臼。
安徽黃山因山勢奇偉，自明清以來，即經常被寫入畫幅，其中尤以石濤、漸江、梅清三家所繪，最受肯定。本幅為羅家倫夫人張維楨女士捐贈文物，筆墨、布局俱有新意，自然展露出黃山的靈動之氣。(20100103)
|
| Description |
Shitao (1642-1708),native to Guilin, Guangxi; original name Zhu Ruoji was from the Ming imperial family. After the Ming fall, he became a Buddhist monk, traveling to Xuancheng (in Anhui), Jinling, and Yangzhou. His brushwork was unbridled and natural, his use of ink often watery and varied. Advocating his own method, he sought to avoid ancient stereotypes.
The marvelous scenery of Huangshan in Anhui is often found in Ming and Qing dynasty paintings, with those by such artists as Shitao, Jianjiang, and Mei Qing being the most popular. In this work donated to the Museum by Ms. Zhang Weizhen (wife of Luo Jialun), the brushwork and composition are both innovative, naturally revealing the spirit that pervades the Huangshan area.(20100103)
|
| Description |
The I Mountains were changed in name to the present Huang (“Yellow”) in the T’ien-peo era (742-755). The unusual formations of these peaks extend across She-hsien, I-hsien, T’ai-p’ing, and Hsiu-ning in Anhwei. Since the Ming and Ch’ing period, the otherworldly scenery of the area has often been rendered in art with many fascinating depictions and interpretations of style and composition. Those most praised for their achievements were Hung-jen, Shih-t’ao and Mei Ch’ing. It is said that “Shih-t’ao got the spirit of the Huang Mountains, Mei Ch’ing its imagery, and Hung-jen its qualities”. This work, donated to the Museum by Mr. Lo Chia-lun, is quite innovative in brushwork and composition, revealing the natural beauty of the Huang Mountains.
|
| 收藏著錄 |
羅家倫夫人張維楨女史捐贈書畫目錄，頁103、167
|
本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
抽盤點紀錄
修護紀錄
